Polifonia sforzesca: I cicli di mottetti nei Libroni del Duomo di Milano tra liturgia, devozione e patronage ducale / Sforza Polyphony: The Motet Cycles in the Milanese Libroni between Liturgy, Devotion, and Ducal Patronage
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DOI der Originalpublikation
Projekttyp
angewandte Forschung
Projektbeginn
01.01.2018
Projektende
31.12.2020
Projektstatus
abgeschlossen
Projektkontakt
Pavanello, Agnese
Projektmanager:in
Pavanello, Agnese
Beteiligte
Beschreibung
Zusammenfassung
The present project (a follow-up of the Motet Cycles Project, 2014-2017) aims at marking a turning point in the research about the motetti missales, by investigating the texts, by analyzing and critically editing the music, and by further exploring their historical and liturgical-devotional context. Besides extensive archival work in Milanese archives and libraries, the project includes the first systematic and comparative study of the Gaffurius manuscripts (the so-called Libroni, held at the Archive of the Veneranda Fabbrica del Duomo di Milano). A codicological study of the Libroni will help re-define their chronology and explain how they were materially compiled and will shed new light on the transfer of musical compositions from the ducal chapel to the cathedral.
Während FHNW Zugehörigkeit erstellt
Hochschule
Hochschule für Musik
Institut
Hochschule für Musik / Schola Cantorum Basiliensis
Finanziert durch
Schweizerischer Nationalfonds (SNF)