Allen, Jamie

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Jamie
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Allen, Jamie

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  • Publikation
    Aeolian Technology
    (2022) Allen, Jamie
    A talk for the "In the Wind" sessions of Anant National University Design programme, relating environmental art, design to principles and ideas of elemental media, ecological and material philosophy, and the history of infrastructure. Using the aeolian harp as a metaphor and actual designed instrument for the tracing of both human and natural actualities and histories, this session asked students to interrogate and reconfigure relationships between ecology and technology, technique and elemental flows.
    06 - Präsentation
  • Publikation
    Techniques of North: Sitting on Top of the World
    (Sternberg Press, 2021) Allen, Jamie; Zyman, Daniela [in: Oceans Rising: A Companion to Territorial Agency: Oceans in Transformation]
    Louis-Edmond Hamelin, the Quebecois elder statesman of northern geographies, has worked for half a century on fertile concepts such as “winterity” and “nordicity” in order to juxtapose real, extreme environments of high-latitude regions with the rich and complex ways they are perceived, imagined, depicted, and talked about. Hamelin even developed a “nordicity” scale, used by governments to allocate infrastructure and environmental resources. He named it the VAPO, or valeurs polaires. The VAPO is a composite and somewhat subjective measure that tracks ten different aspects—things like “annual cold,” “types of ice,” as well as “accessibility by means other than air” and “degree of economic activity”—rating each on a scale between 0 and 100. The total score, out of a thousand, must be over 200 for a place to be consid- ered “in the North.” The North Pole itself has a theoretical value of 1000, as VAPO as possible.
    04A - Beitrag Sammelband
  • Publikation
    Testing Against the World
    (Pontificia Universidad Catolica de Chile, 01.03.2020) Ricci, Donato; Allen, Jamie [in: Diseña]
    This special issue explores how do we account for the sensitive, intimate ways in which our toolsets ‒ and our choices of these ‒ become the infrastructures that co-produce and co-constitute knowledge and meanings. Testing Against the World aimed at addressing, exploring, and making more explicit the following questions: What drives the choice of toolsets in empir­ical investigations? Why does contemporary research demand to be ‘grounded’ empirically? What professional, personal, and emo­tional attachments afford the selection of particular means of observation and translation? What do we expect from our tools? What do they expect of us? How are tools and technologies instrumen­talized? How have tools and research adapted or been forced to adapt to new empirical demands, and knowledge economies? What have such settings required us to assume, acquire, or impose? How do choices of instruments and tools pre-format worlds under investigation and authorize the creation of new worlds?
    01A - Beitrag in wissenschaftlicher Zeitschrift
  • Publikation
    The Earth is an Art, Like Everything Else
    (Osage Publications, 2020) Allen, Jamie; Merewether, Charles; Zielinski, Siegfried [in: Art in the 21st Century: Reflections and Provocations]
    The contributed chapter The Earth is an Art, Like Everything Else takes the the poem Lady Lazarus by Sylvia Plath and the related essay by Michael Taussig as a starting point for developing the ways in which digital art, media and creative practices might 'reattach' us to the earth. Fujihata's Masaki (literally) groundbreaking 1992 project, "Impressing Velocity (Mount Fuji)", in which the artist packed a rucksack with what then a rather large and heavy kit-of-parts — a serial GPS module, a laptop computer and a (then, not-commercially-available) head-mounted video camera — and climbed up the side of Mount Fuji, serves to example knowledge practices in the future in art, science, research and experience, that might ground and attach us more intimately to the planet and its processes.
    04A - Beitrag Sammelband
  • Publikation
    How to Build a Lie
    (2020) Allen, Jamie; Greiner-Petter, Moritz
    Dans leur conférence-performance, Jamie Allen et Moritz Greiner-Petter auscultent le "détecteur de mensonge", dispositif utilisé par les services de police et les assurances prétendument capable de décrypter dans le stress vocal les sentiments enfouis.
    06 - Präsentation