Allen, Jamie
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Allen, Jamie
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- PublikationUnmaking. Against General Applicability(Institute of Network Cultures, 2020) Allen, Jamie; Ibach, Merle; Büsse, Michaela; Gerloff, Felix; Bedö, Viktor; Miyazaki, Shintaro; Bogers, Loes; Chiappini, Letizia [in: The Critical Makers Reader: (Un)learning Technology]As belief in the applicability and efficacy of DIY production, open-source, and method sharing has broadened to include institutional hackathons and open-data-fueled and civic 'maker weekends', taking stock and articulating how certain approaches 'work' or 'do not work' within maker culture – and for progressive and expansive creator cultures more generally – continues to be essential. 'Making' is a key concept that frames a host of more specific practices, lending characteristic manual/moral, communal/communicational, aesthetic/ethical, and enacted/ economic inflections and values. Even simple historical, traditional, technological, or digital acts of object and media creation, of art and design, but also of writing and thinking itself, can be recast as 'making'. What is it that happens to the thinking and doing of such activities, when such recasting is desired, chosen, projected, enforced, or assumed?04A - Beitrag Sammelband
- PublikationThe Art of Instituting(Intellect, 2019) Allen, Jamie; Garnicnig, Bernhard; Toft Ag, Tanya [in: Digital Dynamics in Nordic Contemporary Art]The authors examine a digital dynamic within a networked sense of collectivity, and how this has influenced and enabled institutional experimental sites of thinking and production. They locate a tendency to organize oneself in collective groups as particularly evident in the Nordic context, reflecting a cultural history of ‘instituting’ (i.e. the formation of associations and unions) and today forming sites of hacker spaces, DIY technology groups, and artist-run project studios that hover between science, art and technology. These sites are necessary, the authors argue, as institutional forms to diversify responsibility across collectives, while simultaneously helping to equalize agencies, energies and temporal resilience, and exert post-capitalist influence.04A - Beitrag Sammelband
- Publikation'Counter-conscious’ Ways of Life(Brand-New-Life, 2019) Allen, Jamie; Garnicnig, Bernhard; Kolb, Lucie; Willats, Stephen [in: Artwork as Institution]In his opening address to the symposium Art Creating Society at the Museum of Modern Art Oxford in 1990, Stephen Willats compelled participants and the audience to contribute their viewpoints on the development of a new vision for art, one that extends its social meaning beyond the institutional territory to which it has traditionally been confined. This statement is an example of his pronounced intention to have his artworks intervene into the functioning of society at large, developing models that provide both critical outlooks and promising perspectives. Willats’ approach is connected to the «interactive communication networks» he creates in contemporary art. He also creates a network between artists and others through the magazine Control he has been publishing since 1969. The magazine’s title should be read in the sense of «agency» and «interaction» and not in the authoritarian sense beloved of the critics of cybernetics, as historians like Andrew Pickering pointed out.04A - Beitrag Sammelband
