Lurk, Tabea
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Lurk, Tabea
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- PublikationGrenzgang – Laying a Keyword Pat(21.11.2018) Schwander, Markus; Brefin, Daniel; Florenz, Beate; Lurk, TabeaBased on the communicative forms of spatial perception developed in the research project Grenzgang - Artistic Investigations on Perception and Communication of Space, we’re proposing a walk through Rotterdam which discusses methods of artistic research as they relate to the fluctuating space of the city and inducts the experiences of the participants into the digital continuation of the project Grenzgang.06 - Präsentation
- PublikationDatenbanken, digitale Plattformen und Vernetzung: Moderation Sektion I(02.11.2018) Lurk, Tabea06 - Präsentation
- PublikationVon der teaching library zum library curation. Die Mediathek der HGK FHNW als Medium und Informations-Hub(30.08.2018) Lurk, TabeaDer Beitrag zeigt Vernetzungs- und Kommunikationsstrategien auf, welche unsere Nutzerinnen und Nutzer in einen kontinuierlichen Dialog / Wissenskreislauf mit der Mediathek der Hochschule für Gestaltung und Kunst (HGK FHNW) Basel, ihren Katalog und ihre Services einbinden. Während die Vermittlung von Informationskompetenz und der zugehörigen Methoden und Werkzeuge den Kontakt zu Lehre und Forschung herstellen, fliesst der Rücklauf des Wissens der Hochschulangehörigen längst nicht mehr nur in die Akquisition neuer Medien ein, sondern ermöglicht mithilfe spezifischer Zotero-Workflows konkrete Kuratierungshandlungen. Dies wird nötig, da es die digitale Überfülle von Inhalten und Informationen – die in Gestaltung und Kunst häufig spartenübergreifend anfallen – erfordert, den Fokus auf das Filtern, Aufbereiten und Kontextualisieren der Ressourcen zu lenken. Zugleich können so die Systematiken fallspezifisch flexibilisiert und die Vernetzung mit der lokalen Community vorangetrieben werden.06 - Präsentation
- PublikationPreserving Media Art Objects and Digital Archives(03.06.2018) Lurk, Tabea; Enge, JürgenPresenting core areas of knowledge, which are to be covered the one way or another while pre-serving complex digital objects and digital art, the presentation is structured into three five parts: Part I: Media Art Examples: Short and selective overview Part II: Media Art Preservation: Programs and Strategies (1990s – 2015) Part III: Policies – Archival Appraisal – Sustainability & Accessibility Part IV: Case Studies Part V: Instead of a summary: getting prepared for the future. For obtaining a common terminological but also work-based basis for the discussion, the first part of the workshop begins with a historical overview of well-known media artworks (Part I) and groundbreaking preservation projects and conservation approaches (Part II). Part I is de-signed as kind of a dialog, combining the different perspectives from an art historical point of view and information science to approach media art. This section is followed by basic considera-tions on the conception and organization of digital archives (Part III). Here we try to illustrate specific requirements based on examples of our own professional practice. If time allows, the afternoon session concludes with a brief outlook on current funding policies (Switzerland, Ger-many and the EU), outlining core aims and requests such as open access, sustainability, interna-tional networking (all observed from the perspective of Data Management). Furthermore, expe-riences of EU evaluation and peer reviewing processes from an insider's perspective might be given – possibly in rather informal talk situations. This last section is designed in a rather generalized way to allow a smooth transition to a Q&A. Leaving some of time for questions and suggestions, we would be interested to learn something about the Russian side / approached in the sketched fields. The afternoon session will deepen the terms and concepts outlined in the morning session based on concrete case studies. It covers the entire preservation, maintenance and data management cycle. Since the foundation of permanent conservation operations depends on the quality of the identification and documentation of the significant properties of an artwork, special attention is given to this part. The spectrum of the presented works reaches from formerly videographic art-works through installation and net-based works until types of artworks that are no longer re-garded as closed in the classical archival sense. Again, there will be room for a Q&A at the end of the session.06 - Präsentation
- PublikationVermitteln – Recherchieren - Beurteilen. Katalogkompetenz und Kommunikation im digitalen Wandel(08.12.2017) Lurk, TabeaIm Zentrum der hochschulinternen Kommunikation und der Vermittlung von Informationskompe-tenz steht der integrierte Katalog der Mediathek der HGK FHNW. Die unterschiedlichen Aspekte und Vermittlungsziele werden im Rahmen der Präsentation anhand von anschaulichen Screens-hots aus dem Katalog sowie dem zugehörigen theoretischen Rahmen erläutert.06 - Präsentation
- PublikationGrenzgang - When promenadology meets library(30.03.2017) Lurk, Tabea; Schwander, MarkusAt the core of the presentation is the documentation of the research project GRENZGANG in the integrated catalogue of the media library of the Academy of Art and Design (FHNW HGK). For two years GRENZGANG has been occupied, in the mode of artistic research (Frayling 1993, Tröndle 2012, Mersch 2015, Fernandes, Miranda 2015 ), with aspects of urban history, drawing on architectural heritage and cultural history. Both the application of partly digital (documentary) media and the formats of the resulting artworks and documentations illustrate how complex space and spatial experience in an increasingly digitally over-laid world can look. The artistic interpretations and interventions of GRENZGANG make those dimensions of specific places and spatial experiences sensorily accessible which are, for the most part, more difficultly perceived. The integrated catalogue of the media library attempts to display such artistic works in their heterogeneity and variety alongside other rather classic library resources. Typical challenges occurring on the threshold of the catalogue/archive in the aftermath of complex artistic research projects will be elucidated06 - Präsentation