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dc.contributor.authorPavanello, Agnese
dc.date.accessioned2016-01-07T14:45:02Z
dc.date.available2016-01-07T14:45:02Z
dc.date.issued2015-07-06
dc.identifier.urihttp://hdl.handle.net/11654/12018
dc.description.abstractIn this paper I will focus on fifteenth-century century Elevation motets in order to contextualize the Milanese motet cycles in a wider liturgical and musical practice. After discussing the liturgical significance and function of the Elevation, with its rich gestural symbolism, I will explore the extant repertoire with particular regard to the texts and their circulation. The presence of settings of the same texts in different environments will raise the question about the possible existence of narrower ties between the Milanese corpus and other local traditions.
dc.language.isoen
dc.accessRightsAnonymous
dc.subjectElevation, Milanese motets 15th century
dc.subject.ddc780 - Musikde
dc.titleElevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context
dc.type06 - Präsentation
dc.eventMedieval and Renaissance Music Conference, Brussels
dc.audienceScience
fhnw.publicationStateUnpublished
fhnw.ReviewTypeAnonymous ex ante peer review of an abstract
fhnw.InventedHereYes
fhnw.PublishedSwitzerlandNo
fhnw.IsStudentsWorkno


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