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dc.contributor.authorTaillard, Pierre-André
dc.contributor.authorDalmont, Jean-Pierre
dc.contributor.authorGuillemain, Philippe
dc.date.accessioned2016-01-23T12:10:51Z
dc.date.available2016-01-23T12:10:51Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/11654/12182
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-204
dc.description.abstractThe playing frequency of a reed instrument is generally mainly imposed by the resonator. Nevertheless, numerous other factors have an influence on the playing frequency. Among those, the volume velocity pulsated by the reed must be taken into account in the models as it lowers significantly the playing frequency. At first order, this volume velocity can be taken into account by adding an equivalent volume of about 1.cm3 at the entrance of the pipe. However, the concept of equivalent volume is theoretically only valid for linear vibrations i.e., for the clarinet: the non beating reed regime. In the beating regime, this volume is likely to vary quite a lot with the mouth pressure which can lead to intonation problems. In addition, this volume depends much on the reed opening, but experiments performed with an artificial mouth show that for usual openings (0.3-0.7mm) the intonation remains surprisingly stable. This suggests that the reed and mouthpiece makers know how to control this problem by a well chosen design of the lay. A counter-example is obtained by using a ClaripatchTM especially designed so that intonation is particularly difficult to control.
dc.language.isoen
dc.relation.ispartof11ème Congrès Français d'Acoustique
dc.accessRightsAnonymous
dc.titleInfluence of the reed flow on the intonation of the clarinet
dc.type06 - Präsentation
dc.spatialNantes
dc.event11ème Congrès Français d'Acoustique
dc.audienceScience
fhnw.publicationStatePublished
fhnw.ReviewTypeNo peer review
fhnw.InventedHereYes
fhnw.PublishedSwitzerlandNo
fhnw.IsStudentsWorkno


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