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dc.contributor.authorKing, Dorothée
dc.date.accessioned2019-01-24T13:41:03Z
dc.date.available2019-01-24T13:41:03Z
dc.date.issued2018-11
dc.identifier.urihttp://hdl.handle.net/11654/27289
dc.description.abstractIs digital graffiti the new tool for the generation of digital natives to resist, protest, and engage? With examples we see that going digital allows a “displacement and assemblage of space,” 12 and leads to a re-organiz- ing of the aesthetics of architecture with all its symbols and power structures. Digital graffiti is a powerful tool for protest and intervention. And the practical advan- tages of digital graffiti over traditional graffiti are obvi- ous. One does not have to get close to the architecture onto which one intends to project. Even fenced-in build- ings can be turned into a projection screen. One may even choose the building in relation to the message of the graffiti. Also, digital graffiti does not cause damage to property and is therefore not a criminal act.
dc.language.isoen_US
dc.relation.ispartofInt|AR Journal
dc.accessRightsAnonymous
dc.titleDigital Graffiti
dc.type01 - Zeitschriftenartikel, Journalartikel oder Magazin
dc.volume09
dc.issueDesign Intervention as ACT
dc.audienceScience
fhnw.publicationStatePublished
fhnw.ReviewTypeAnonymous ex ante peer review of a complete publication
fhnw.InventedHereNo
fhnw.PublishedSwitzerlandNo
fhnw.IsStudentsWorkno
fhnw.publicationOnlineNein


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