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dc.contributor.authorAllen, Jamie
dc.contributor.editorFrye, Annika
dc.contributor.editorKruse, Christiane
dc.date.accessioned2021-12-08T16:28:03Z
dc.date.available2021-12-08T16:28:03Z
dc.date.issued2021-10-25
dc.identifier.isbn9783110737462
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/32912
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-4000
dc.description.abstractImages are not born as art. With his ready-mades Marcel Duchamp embro-iled the art business in a debate about the inclusion and exclusion of every-day objects in ‘high’ art. Since then, it has been possible to cite Arthur Danto and talk of the „end of art“. In retros-pect it becomes clear that Duchamp’s expansion of what constitutes art resulted in an explosive increase of art objects and concepts of art, a trend still evident today. Moreover, images and objects from non-art areas with their own tradition provoke the art system by adapting art criteria. The contributions in this book address pro-vocations and interventions, the trans-fer or melding of image and object cultures and explore images, objects and actions in their cultural contexts to get to the bottom of the art system that is in a state of dissolution.en_US
dc.description.urihttps://www.degruyter.com/document/doi/10.1515/9783110736205/html?lang=enen_US
dc.language.isoenen_US
dc.publisherDe Gruyteren_US
dc.relationInstitutions as a Way of Lifeen_US
dc.relation.ispartofKunst an den Rändern, Wie aus Bildern und Objekten Kunst werden kannen_US
dc.accessRightsAnonymous*
dc.subjectinstitutionsen_US
dc.subjectimprovisationen_US
dc.subjectinstitutional critiqueen_US
dc.subjectcreativityen_US
dc.subjectpedagogyen_US
dc.titleImprovising institutions. Art & its institutional bordersen_US
dc.type04 - Beitrag Sammelband oder Konferenzschrift*
dc.spatialBerlinen_US
dc.event.start2019-01-24
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeLectoring (ex ante)en_US
fhnw.InventedHereYesen_US
fhnw.pagination344en_US
fhnw.IsStudentsWorknoen_US


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