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dc.contributor.authorClarke, Rachel
dc.contributor.authorGalani, Areti
dc.contributor.authorWajda, Kamila
dc.contributor.authorAllen, Jamie
dc.date.accessioned2023-01-24T13:07:09Z
dc.date.available2023-01-24T13:07:09Z
dc.date.issued2013
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/34455
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-4553
dc.description.abstractAs practice-theory orientations the arts and sciences have often seemed juxtaposed. We are interested in how a new generation of artist-scientists think, operate and communicate. We argue that it is crucial to find new forms and formats for engage- ment and communication in communities of inter- disciplinary research and practice. In this paper, we investigate the discursive and communicative relation between different disciplines, in social and experiential events (conferences, festivals, and the like). For this purpose, we will build upon the experiences and observations from various ‘Re- mix’ situations in which art-scientists meet in conference and festival settings.en_US
dc.language.isoenen_US
dc.publisherISEA Internationalen_US
dc.relation.ispartofProceedings of the 19th International Symposium on Electronic Art, ISEA2013en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.accessRightsAnonymous*
dc.subject.ddc700 - Künste und Unterhaltungen_US
dc.titleCreative Ecologies in Action: Technology and the Workshop-as-artworken_US
dc.type04B - Beitrag Konferenzschrift*
dc.spatialSydneyen_US
dc.eventConference of the 19th International Symposium on Electronic Art, ISEA2013en_US
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeAnonymous ex ante peer review of a complete publicationen_US
fhnw.InventedHereYesen_US
fhnw.IsStudentsWorknoen_US


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