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Iterated maps for clarinet-like systems
The dynamical equations of clarinet-like systems are known to be reducible to a non-linear iterated map within reasonable approximations. This leads to time oscillations that are represented by square signals, analogous ...
A Sound Doctrine: Early Modern Jesuits and the Singing of the Catechism
The musical activities connected with the teaching of Christian doctrine in the early modern era have failed to attract substantial scholarly attention. In fact, the noteworthy and by no means obvious association between ...
Carlo Borromeo and Tomas Luis de Victoria: A gift, two letters and a recruiting campaign
Tomás Luis de Victoria and Cardinal Carlo Borromeo probably never met in person. In 1583–4, however, they were in contact by letters (now preserved in the Biblioteca Ambrosiana, Milan) and through intermediaries. This ...
An Analytical Prediction of the Bifurcation Scheme of a Clarinet-Like Instrument: Effects of Resonator Losses
The understanding of the relationship between excitation parameters and oscillation regimes is a classical topic concerning bowed string instruments. The paper aims to study the case of reed woodwinds and attempts to find ...
Statistical Estimation of Mechanical Parameters of Clarinet Reeds Using Experimental and Numerical Approaches
A set of 55 clarinet reeds is observed by holography, collecting 2 series of measurements made under 2 different moisture contents, from which the resonance frequencies of the 15 first modes are deduced. A statistical ...
Der barocke 'Lituus' und seine Verwendung in Johann Sebastian Bachs Motette 'O Jesu Christ, mein's Lebens Licht' (BWV 118). Quellenkundliche und instrumententechnische Bemerkungen zu einem Forschungsprojekt der Schola Cantorum Basiliensis
(GEFAM - Gesellschaft der Freunde alter Musikinstrumente, 2009)
Der Morgenlandfahrer und der tonale Abenteurer. Neues über Scelsi und Tosatti
The Oriental Traveller and the Tonal Adventurer. New Information About Scelsi and Tosatti – Studies and editions from the last ten years make it possible to see the genesis of Scelsi’s works and his view of himself in a ...
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