Caviezel, FlaviaSchwander, MarkusSchenker, ChristophPreisig, BarbaraRüegger, RomyGisler, PriskaMader, RachelPeyer, SiriKoehle, PetraHürzeler, Luzia2023-03-312023-03-312017-12-08https://irf.fhnw.ch/handle/11654/34837Collaboration of the SARN Board member Flavia Caviezel with the other members and organizers on the conference concept; conducting a table talk at the SARN conference Art Research Work. The 2017 SARN Conference explored the working conditions prevailing within artistic research. In the last 20 years, an institutionalization and academization of artistic work known as “artistic research” has taken place. Arts universities are establishing research institutes, promoting PhD programs, and competing against universities for funding. Most artists only have small workloads in institution-based research. As much time is spent on projects and exhibitions as on teaching and earning a living. Although much of this work receives great symbolic recognition, it remains unremunerated. Working in such diverse contexts demands great flexibility regarding methods, skills, and the ability to reconcile several roles. The two-day SARN Conference reflected on the processes involved in institutionalizing the changing material and ideological preconditions of artistic research in recent years from the perspective of artistic researchers. The conference aimed to better understand the current situation of artistic researchers, to outline concrete ideas for future work-life strategies and for other funding and job opportunities, and to formulate concrete demands for self-determined artistic research. The Conference took place at Zurich University of the Arts (ZHdK). In line with the conference topic, we reflected on working conditions at ZHdK’s new building.enwork conditions of artistic researchartistic research practices700 - Künste und Unterhaltung06 - PräsentationSwiss Artistic Research Network SARN