2020, De Vincenti, Andrea, Grube, Norbert, Boser Hofmann, Lukas, Hofmann, Michèle

2019, Westberg, Johannes, Boser Hofmann, Lukas, Brühwiler, Ingrid, Westberg, Johannes, Boser Hofmann, Lukas, Brühwiler, Ingrid

2019, Boser Hofmann, Lukas, Hofmann, Michèle, Haas, Stefan, Schneider, Michael, Bilo, Nicolas

2017-10-12, Hofmann, Michèle, Boser Hofmann, Lukas, Brühwiler, Ingrid

2020, De Vincenti, Andrea, Grube, Norbert, Hofmann, Michèle, Boser Hofmann, Lukas, De Vincenti, Andrea, Grube, Norbert, Hofmann, Michèle, Boser Hofmann, Lukas

2019, Boser Hofmann, Lukas, Caruso, Marcelo, Hofmann, Michèle

Writing (and its shape in particular) is given attention in this special issue in order to analyze multi-layered challenges of modern schooling, ranging from pedagogical to ideological and national ones. Focus is given to writing systems (including the aspect of graphic design), writing ideologies, writing practices and the role they play in the complex social construction and representations of national, regional, cultural, and individual identities. The authors contributing to this special issue analyze when and why nations, institutions, or individuals decided or were forced to change writing systems, aiming to elucidate the cultural and educational implications of those reforms. In this vein, the articles included in this special issue also focus on the social, cultural, and historical embeddedness of writing and writing systems, and on the role that education in general and schooling in particular has played in this process.

2018-11-30, Hofmann, Michèle, Boser Hofmann, Lukas

2020, Hofmann, Michèle, De Vincenti, Andrea, Grube, Norbert, Hofmann, Michèle, Boser Hofmann, Lukas

2019, Hofmann, Michèle, Boser Hofmann, Lukas, Caruso, Marcelo

In this paper, we analyse the struggle for a unified style of writing in primary schools in the German-speaking part of Switzerland between the 1860s and the first decades of the twentieth century with regard to the contexts in which this struggle was embedded. In the late-nineteenth century, in German-speaking Switzerland, as in other parts of the German-speaking realm, a controversy emerged regarding whether general writing practices (handwriting and print) should adhere to the traditional Gothic script and typefaces called Fraktur or whether such practices should change in favour of the Latin script and typefaces called Antiqua. This controversy was fuelled by economic arguments (Latin script was used in international commerce), scientific arguments (the question of which type- face was “healthier” emerged), and arguments questioning which cultural liaisons should be upheld or even strengthened (Antiqua was identified with Romance and English languages and cultures, whereas Fraktur was identified with German language and culture). In German-speaking Switzerland, as a part of a multilingual country, the latter was particularly important because this question of cultural allegiance was expressed by the basic cultural practice of writing.

2018-09-21, Hofmann, Michèle, Boser Hofmann, Lukas