Le corps & les techniques de clavecin dans la France des XVIIème et XVIIIème siècles. Regards sur le corps et les techniques de jeu à travers les méthodes historiques de clavecin

dc.accessRightsAnonymous*
dc.contributor.authorAcabo, Louise
dc.contributor.mentorBötticher, Jörg-Andreas
dc.contributor.mentorGutzwiller, Johanna
dc.contributor.mentorCorti, Francesco
dc.date.accessioned2023-03-22T13:53:54Z
dc.date.available2023-03-22T13:53:54Z
dc.date.issued2022-04-04
dc.description.abstractTo study the idea of the body posture on the harpsichord, I took a step back and looked how it appeared in the historical sources.I wanted to understand how the body was considered when making music, in France in the 17th century. I studied the social and cultural environement of the courtisans of Louis XIV to understand the place of the body in the French society. After collecting elements about the body, I analyzed these ideas the physiotherapist Johanna Gutzwiller. My goal was to understand what attitude one should adopt towards these sources as a harpsichordist and teacher today.en_US
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/34769
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-4712
dc.language.isofren_US
dc.publisherHochschule für Musik Basel FHNW, Schola Cantorum Basiliensisen_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.spatialBaselen_US
dc.subject.ddc780 - Musiken_US
dc.titleLe corps & les techniques de clavecin dans la France des XVIIème et XVIIIème siècles. Regards sur le corps et les techniques de jeu à travers les méthodes historiques de clavecinen_US
dc.type11 - Studentische Arbeit*
dspace.entity.typePublication
fhnw.InventedHereYesen_US
fhnw.IsStudentsWorkyesen_US
fhnw.StudentsWorkTypeMasteren_US
fhnw.affiliation.hochschuleHochschule für Musikde_CH
fhnw.affiliation.institutHochschule für Musik / Schola Cantorum Basiliensisde_CH
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relation.isAuthorOfPublication.latestForDiscovery8801757a-7eac-467b-ab81-49ab1e5ad83b
relation.isMentorOfPublication3583a168-bcaf-4512-8896-ff9db6053bdd
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