Cicli di mottetti tra Quattro e Cinquecento: funzione, performance, e disegno compositivo nel contesto di pratiche musico-liturgiche e devozionali / Motet Cycles in the Late Fifteenth/Early Sixteenth-Century: Function, Performance, and Compositional Design in the Context of Musico-Liturgical and Devotional Practices
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DOI der Originalpublikation
Projekttyp
angewandte Forschung
Projektbeginn
01.09.2014
Projektende
31.12.2017
Projektstatus
abgeschlossen
Projektkontakt
Projektmanager:in
Beteiligte
Beschreibung
Zusammenfassung
In late fifteenth-century Europe, motets (Latin-texted polyphonic compositions with predominantly sacred-devotional subjects) began to be gathered in “cycles” and to be copied as such in manuscripts.
The project, started at the Schola Cantorum Basiliensis (Basel, Switzerland) in September 2014 and finished in Dezember 2017, focused on late fifteenth-century motet cycles, exploring a broad range of issues, from the choice of texts and the compositional strategies to the performing contexts.
The results of the project includes, besides a comprehensive catalogue of the cycles, abundant new data regarding the conception, performance, reception, and transmission of this fascinating repertoire.
Während FHNW Zugehörigkeit erstellt
Hochschule
Hochschule für Musik
Institut
Hochschule für Musik / Schola Cantorum Basiliensis
Finanziert durch
Schweizerischer Nationalfonds (SNF)