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‘compiacimento di purgattissimo conoscimento’ – Performing Gesualdo in Mid-Seventeenth Century Rome
(Terebinto Edizioni, 2019)
The title of the article contains two elements: a citation (referring, of course, to Carlo Gesualdo, the then and today praised madrigal composer) and a statement worth discussing, namely that Gesualdo's music was not only ...
"‘Vieltönigkeit" instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century "Microtonal’ Music"
(Leuven University Press, 2016)