Institute of Digital Communication Environments
Dauerhafte URI für die Sammlunghttps://irf.fhnw.ch/handle/11654/13
Listen
13 Ergebnisse
Ergebnisse nach Hochschule und Institut
Publikation Kant's theory of the sublime and the visual arts(Aesthetica Edizioni, 2023) Clewis, Robert R.; Schubbach, Arno03 - SammelbandPublikation Why not exactly? Revisiting the alleged arguments against the artistic sublime in Kant's “critique of the aesthetic power of Judgment”(Aesthetica Edizioni, 2023) Schubbach, Arno; Clewis, Robert R.; Schubbach, ArnoThe debate about whether, according to Kant, there can be an artistic sublime often fails to clarify the relationship of the “Analytic of the Sublime” to the “Analytic of the Beautiful” and to the short discourse on art of the Critique of the Power of Judgment (KU, § 43 to § 59). Therefore, three types of arguments are often conflated, which I would like to propose to distinguish as precisely as possible: 1. Arguments that cast doubt on the possibility of aesthetic judgments with respect to works of art in general; 2. arguments that specifically put into question the experience of the beautiful in the arts; 3. Arguments questioning the artistic sublime. Kant addresses the first two types of arguments in his ingenious argumentation of why we can experience works of art as beautiful at all. However, they are often readily understood as arguments against the possibility of an artistic sublime, which Kant, however, hardly discusses as such. By distinguishing these types of arguments, I want to pinpoint what exactly, according to Kant, stood in the way of the possibil-ity of an artistic sublime – and to explore the possibility of artistic strategies to overcome these obstacles.04A - Beitrag SammelbandPublikation Robert Zandvliet - Florilegium. Overview 1998 - 2023(Peter Blum Edition, 2024) Hollaus, Invar Torre; Zandvliet, RobertInvar-Torre Hollaus: Robert Zandvliet – A Boundless Gaze (S.6-9) & A Dialogue about Painting – Invar-Torre Hollaus in Conversation with Robert Zandvliet (S.36-42), in: Robert Zandvliet – Florilegium, Ausst.-Kat. Peter Blum Gallery, New York 202402 - MonographiePublikation Tilly Keiser - Überleben mit Malerei(Schwabe Verlag, 12/2023) Hollaus, Invar Torre04A - Beitrag SammelbandPublikation AI and Art. Arguments for Practice(transcript, 12/2023) Schubbach, Arno; Thiel, Sonja; Bernhardt, Johannes C.Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on A. Michael Noll’s early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential of new techniques for design and art.04A - Beitrag SammelbandPublikation OpenSoundLab – A virtual sound laboratory for the arts(ACM, 2022) Zeller, Ludwig; Barfuss, HannesHow can a virtual sound laboratory allow for new and exciting ways of sonic interaction in the context of the arts? Our project addresses this question by developing the virtual sound lab ‘OpenSoundLab’ (as an open-source fork of ‘SoundStage VR’ by Logan Olson) that introduces to the artistic and musical production of sonic media with the help of the VR goggles ‘Meta Quest 2’. The aim is to combine the physical experience of working on spatial experimental systems, which is often perceived as positive and productive, with the advantages of digital tools and thus to enable independent learning and experimentation. The virtual lab allows to become familiar with the basics of creative sound generation and processing. Specially produced video tutorials play a central role here, which can be viewed at any time within the virtual environment and thus make it possible to study in individual lab environments independently of time and place. Furthermore, ‘OpenSoundLab’ may serve as an open-source tool for the professional and academic community of musicians, performers, and artists alike. In our reflection, we develop the notion of ‘cooking’ sound while ‘flowing’ in a mixed environment and apply this to experimental work in a virtual sound laboratory.04B - Beitrag KonferenzschriftPublikation «Bire und Birne» – Lexikalischer Wortabruf bei diglosser Aphasie(07.10.2021) Widmer Beierlein, Sandra; Kuntner, Katrin Petra; Hemm-Ode, Simone; Reymond, Claire; Falcón García, Noelia; Park, Sung Hea; Jochmann, Angela; Elsener, Claudia; Blechschmidt, Anja06 - PräsentationPublikation « ‹Wöörfel› – Hochdütsch auch, oder?» Wechsel der Sprachvarietäten als Bildbenennfehler bei diglosser Aphasie(07.10.2021) Kuntner, Katrin Petra; Blechschmidt, Anja; Hemm-Ode, Simone; Reymond, Claire; Falcón García, Noelia; Park, Sung Hea; Jochmann, Angela; Elsener, Claudia; Widmer Beierlein, Sandra06 - PräsentationPublikation Artachment - Ein Schaukasten für die Kunst(Artachment, 10/2021) Hollaus, Invar Torre; Bottazzini, Raphael10 - Elektronische-/ WebpublikationPublikation 12 x 5 neue Objekte des täglichen Wahrnehmungsgebrauchs(Edition 5, 06/2020) Hollaus, Invar Torre; Nyffeler, Ruth; Nyffeler, Jürg05 - Forschungs- oder Arbeitsbericht