Institute of Digital Communication Environments
Dauerhafte URI für die Sammlunghttps://irf.fhnw.ch/handle/11654/13
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4 Ergebnisse
Ergebnisse nach Hochschule und Institut
Publikation Windowcentric. Centralization of one object in a visual narrative(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Uchman-Nakamoto, Katarzyna; López, Paloma; Hollaus, Invar Torre; Bircher, ThomasThe window, a mundane yet ubiquitous architectural element, holds a fascinating magnetism within both the cultural history as well as the realm of visual storytelling. From Renaissance masterpieces to contemporary installations, the window is still very present, representing practicality and profound symbolism. Its significance in visual arts lies not only in its functional purpose of introducing natural light into the composition or directing the viewers gaze but also in its ability to evoke emotions, frame perspectives and invite contemplation. Throughout the art history, the window has served as a channel for artistic expression, embodying notions of limitation, discovery and the interplay between the interior and exterior containing the duality of that it both separates and connects and offering a glimpse into various worlds. Reflecting on the captivating attributes inherent to the window, followed by a deep investigation into its multifaced nature, has initiated an inquiry into its contemporary potential within the realm of visual narratives, specifically within the medium of illustration and graphic novel. The intricate interplay between the images in illustrated visual narrative enables for a mixture of imagination and storytelling fostering an exploration of diverse concepts. By undertaking research on a window’s dynamic qualities, symbolic resonances, and narrative capabilities this project aims to experiment in constructing a comprehensive and compelling visual narrative that centers around a singular object. This approach, rooted in the notion of centralizing an everyday object, draws inspiration from the movement of “proximate ethnography” that emerged within the arts, particularly in France during the 1970s. Artists such as Georges Perec or Sophie Calle contributed to this movement, advocating for an examination of the aspects of daily life and a departure from the allure of the exotic and distant. The questions that emerged from my preliminary research and guided my theoretical and visual investigation were the following: What is the potential of the window as a visual storytelling tool? How to build a compelling narrative around one object? How does it impact the narration? Following George Perec’s urge to study familiar objects and influenced by his portrayals of something as simple as a bedroom, as exemplified in Species of Spaces, I started drawing the essence of what I saw through and around windows I encountered, often in abstract and exaggerated forms. This led me to creating a windowcentric narrative: a story revolving around a window, adapting both the inside and the outside perspective that it offers. The resulting product of the project consists of a graphic novel seeking to construct an intriguing world of the possible (future) window views for the viewer to immerse themselves in. My visual contribution aims to provide a fresh point on the object of the window and its utilization within visual narratives. Moreover, it aspires to inspire the recipient to evaluate their relationship with the window as an object of reflection and contemplation.11 - Studentische ArbeitPublikation Redefining home. A documentary exploration of the feeling of home(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Mosimann, Marie-Cathrine; Reymond, Claire; Oplatek, Jiri; Zeller, LudwigHome – a topic that resonates with almost everyone at some point, and one that has always been a unifying force. Exploring the concept of home from various perspectives makes it more comprehensible and, ideally, fosters a more empathetic approach to one another. Home holds great significance, playing a vital role in our everyday lives and our overall well-being. However, the understanding of one’s own relationship with and to home is as unique as the individuals themselves. This master’s thesis endeavours to grasp the individual notions of home, tries to redefine it, and presents it in a different light, particularly from a perspective where individuals are not afforded the freedom to choose their living and life circumstances. The driving research question becomes: “How can the personal understanding of ‘home’ be redefined and visually communicated through a participatory process, when the housing and living conditions were not entirely self-determined?” To address this query, in-depth interviews were conducted with five individuals, acting as key participants. Additionally, through a collaborative and participatory approach, visual motifs were carefully selected within their respective homes, extensively discussed, and captured in a documentary way through the lens of a camera. The culmination of the audio interviews and intimate photographs converged to form a final video. The outcome of the project shows that this intensive collaboration in the participatory process significantly influences the final product. The lack of full autonomy in decision-making regarding their housing and living situation becomes apparent and permeates the final product with increased visibility, audibility, and tangibility. The participants’ stories and experiences show the complexity and impact of constrained living circumstances on their understanding of home. Given that a complete redefinition of the individual’s understanding of home could not be achieved within the scope of this study, it is in need of more extensive exploration. Nonetheless, this personal and intense experience has laid the foundation for further discoveries, inviting further research and dialogue on the multifaceted nature of home and the lived experiences of those affected by housing constraints. The thesis is motivated by the intention to address supposedly unimportant issues and to focus on individual feelings, sentiments, and sensitivities. It deals with aspects of identity, belonging, personal misfortunes, successes, and challenges. As we continue to delve into the diverse perspectives on home, we expand our empathy and understanding, ultimately contributing to a more inclusive and compassionate society. By giving voice to those whose stories have often been overlooked, this research strives to bridge the gap between personal experiences and broader social narratives, prompting reflection and action towards creating a world where everyone can truly feel at home.11 - Studentische ArbeitPublikation A hybrid transmedia storytelling. Amplifying voices and presence of emerging photographers(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Hilpertshauser, Mégane; López, Paloma; Hollaus, Invar Torre; Bircher, ThomasIn an era of constant connectivity, individuals are perpetually exposed to images, coexisting in a realm where representations, artificial intelligence, and robotisation dominate. Paradoxically, this increasing interconnectedness may foster a sense of disconnection from reality. Consequently, the boundaries between reality and the digital sphere significantly impacts photography, transforming established artistic practices. Photography remains in constant transition and evolution, rendering the once prominent term post-photographic inadequate to encapsulate the prevailing phenomena it was meant to describe (Brückle, Vitale, 2021). Through an examination of the historical evolution of photography and an exploration of media theory, a dynamic landscape of ever fluid and evolving images emerges, characterized by repetitive patterns and the proliferation of insular cultural spheres. The advent of image recognition technology further narrows perspectives and selectively shapes perceptions. Simultaneously, our experience of the present assumes diverse temporal dimensions, presenting a challenge for emerging photographers and designers who must navigate a fast-paced, fluid, and fragmented world (Goeting, 2022). Given the profound cultural and transformative impacts of contemporary media and technology, an imperative emerges to adopt a critical, thoughtful, imaginative, and alternative approach to digital tools. These emerging media and technologies engender new ways of perceiving, thinking, and acting, thereby transforming designers into active agents who reimagine the complex interplay between technology and culture. The project, entitled "A Hybrid Transmedia Storytelling – Amplifying Voices and Presence of Emerging Photographers", seeks to explore how the convergence of physical and digital realms demands a re-evaluation of how photographic content is shown, presented and distributed. Transmedia storytelling becomes a powerful means of uniting our digital and physical spaces, enabling a deeper understanding of our presence in this hyperconnected world. The name of the platform "Presence" encompasses both the presence of photographers within the artistic realm and the impact of new technologies on photographic creation and representation, along with our own presence in this fast-paced, interconnected society. The project aims to create an environment conducive to discovery and dialogue, with artists such as Arthur Fechoz, Alice Pallot, and Massimiliano Rossetto, while encouraging contemplation and deceleration in the first issue around Sense of Belonging. Deliberately incorporating elements of seriality into the magazine, the project aims to pique readers’/guests’ curiosity, with a foresight of forthcoming digital additions. This concept of deceleration and anticipation fosters an environment favourable to imagination and freedom. Readers actively contribute to shaping the narrative by interrupting chronology and offering fresh perspectives and visions. Ultimately, the project seeks to analyse how contemporary photography and design critically reflect on, experiment with, and envision alternative approaches to engaging with technologies and their cultural ramifications.11 - Studentische ArbeitPublikation Thinking from within nature. Visual research on ecocentric storytelling(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Labek, Renée; Käser, Susanne; Ahn, Jinsu; Savic, SelenaBy exploring the world of inspirational storytelling and futuristic concepts related to our relationship with the natural environment, this thesis attempts to imagine a world where humans live in a more harmonious relationship with nature. The focus of this work is to investigate ideas of a positive and sustainable human-nature interconnection and to find visualization, capable of supporting these ideas and principles. This work is inspired by the ideological principles of Solarpunk, a climate fiction literature and art movement. In general, the genre is speculative, activist-oriented, utopian and futuristic. The focus of the genre is to address sustainability and environmental justice. Narratives emerging from the genre revolve around imaginations of societies which deeply care about their natural surroundings. By creating an explorative visual representation of Solarpunk stories, this work aims to contribute to the ongoing discussion on sustainability and inspire new perspectives. The stories we choose to tell ourselves, on how we should live together on this planet, matter by influencing our beliefs and behavior. Research on positive narratives is therefore essential as it enables us to imagine a sustainable future. Therefore, a fundamental hypothesis of this work is that in order to remain capable of acting in the present, it is important to create positive visions and narratives about the future. Questions such as “How will we relate to nature in the future?” and “How could this relationship be improved in a sustainable manner?” were the starting points from which the thought process for this thesis was initiated. The research began with the intention of creating a positive, inspirational concept that could visually express a message to encourage the recipient to feel a sense of empowerment and optimism rather than feelings of resignation or pessimism. Four short stories were conceptualized and processed visually. Altogether they intend to communicate four important values of the Solarpunk movement which have been extracted from the literature. The visual output of the research consists of four animations focusing on different aspects of the natural world. The four elements – fire, earth, water and air – are used as protagonists and metaphors to explain the basic principles of the Solarpunk movement. Through the use of 3D animation, this project explores alternative strategies to communicate these futuristic ideas and attempts to stimulate the imagination of the recipient. The approach of this work is ecocentric or nature-centric, attempting to highlight the importance of valuing all entities in our ecosphere equally. By focusing on the four elements, it is shown that many cultural and environmental developments can be traced back to these overlapping geospheres. By exploring and visualizing a more sustainable future, this work seeks to re-narrate the relationship between humans and nature. Stories about a different way of re-connecting with nature may trigger our dreams and hopes, while also revealing the power to inspire us by taking a glimpse through a window into a better future.11 - Studentische Arbeit