Institute of Digital Communication Environments
Dauerhafte URI für die Sammlunghttps://irf.fhnw.ch/handle/11654/13
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Publikation Othmar Eder - Geborgenes(Naturmuseum Frauenfeld, 08/2024) Hollaus, Invar Torre; Hannes Geisser04A - Beitrag SammelbandPublikation Barbara Schnetzler im Kloster Schönthal - Einen Ort schaffen(Stiftung Kloster Schönthal, 09/2024) Hollaus, Invar Torre; John Schmid, Barbara Schnetzler04A - Beitrag SammelbandPublikation Maschinelles Lernen(transcript, 16.08.2024) Schubbach, Arno; Arnold, Florian; Bernhardt, Johannes C.; Feige, Daniel Martin; Schröter, Christian04A - Beitrag SammelbandPublikation Intuitive Access to Oral History Video (The Pellaton Experience)(08.02.2024) Frei, Lena; Serra, BéréniceThe Pellaton Experience, a specialized web portal for dance research, was developed by the Institute Digital Communication Environments (IDCE) at HGK Basel FHNW in collaboration with the SAPA Foundation (Swiss Archive of Performing Arts). The SAPA Foundation's archive houses interviews, dance notations, video recordings, and reviews, offering a comprehensive view of the Swiss dance scene. Recent emphasis on the "oral history" research method resulted in a substantial collection of audiovisual data, posing the challenge of making this unique content accessible to diverse audiences, leading to the creation of the Pellaton Experience project. The lecture will explore how the research project strategically presents archival materials from oral history interview series, aiming for a comprehensive understanding of the discussed topics. This effort was made possible through collaboration with an interdisciplinary team, including experts in video/media, art history, and IT (SAPA), as well as professionals in graphic design, project management, game design, and architecture (HGK Basel FHNW). Key research questions focus on user interface and user experience design, aiming to optimize scenarios like "expert search" and "uncoordinated browsing" to enhance the overall choreographic experience. The project strives to provide innovative solutions to improve accessibility and deepen the understanding of the rich history within the SAPA Foundation's archives. Consequently, we will delve into specific aspects of this interface while also establishing broader connections with themes such as digital archives, dance documentation, oral history, gesture in dance, and design.06 - PräsentationPublikation Bruno Seitz. Aquarelle: Erkundungen zu Licht und Farbe(Tony Wuethrich Galerie, 2024) Hollaus, Invar Torre14 - AusstellungsbeitragPublikation Algorithmic experience: visualising the Instagram machine learning process for end-users(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Szlachta, Anna Maria; Reymond, Claire; Oplatek, Jiri; Zeller, LudwigAlgorithmic experience (AX) is a Human Computer Interaction concept that applies to digital products where a significant part of the end-user experience is determined by the algorithms. In other words, it is not only the quality of the interface that is relevant, but also the algorithmic processes whose result is represented by the interface. Some examples of such software products are social media platforms like Facebook, Instagram, TikTok, YouTube, LinkedIn, and others. With the advancement of algorithms, machine learning and AI, the algorithmic experience that is delivered is increasingly personalised. Moreover, the tailored content means that the experience can be different for each user, depending on several factors. Digital product designers therefore face the challenge of researching with users about their algorithmic experience. However, when we speak of algorithms, we mean complex processes that are invisible to end-users. Typically, understanding algorithmic models and concepts also requires advanced mathematical or technical knowledge. So far, such research has been conducted by means of in-depth interviews, but hit many additional obstacles with, for example, the understanding of basic algorithmic vocabulary. During the thesis, it was proposed to overcome this barrier by using visualisation. Building a common ground between designers and end-users using visual language could deepen the quality of the interviews. This would enable UX researchers to provide more valuable insights to the data science team and also be responsible for shaping the algorithmic experience of the product. The popular social media platform Instagram was chosen as an example for visualisation. A series of images explored how to present the algorithmic process to non-experts. The process included not only image-making but also conversations with Instagram users in an iterative process: design – evaluation with five users during in-depth interviews – design – and next sessions with users. This made it possible to provide an interactive final visualisation that mainly focuses on inputs and outputs, elements in the algorithmic process that are familiar to users. Combined with Instagram’s familiar layout, this enabled discussion on multiple levels, not only referencing users’ own experiences of using the platform, but also learning how much and how users combine information in their mental model of the algorithm. The visual investigation also allowed for a broader consideration of privacy policies and data gathering by technology companies, and their real impact on users’ algorithmic experience. The illustrations opposite show the concepts tested during the design process. During the image-making process, an effort was attempted to combine, on the one hand, Instagram’s known layout for users and, on the other, to present what data is processed by machine learning and AI processes that determine the shape of the algorithmic experience. However, the main focus was on the input and output data in the input-black-box-output process.11 - Studentische ArbeitPublikation In between moments of emptiness in the urban transformation process. Zwischenmomente der Leere im städtischen Transformationsprozess(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Steiner, Franziska; Ahn, Jinsu; Käser, Susanne; Savic, SelenaEmpty industrial sites are frequent occurrences due to structural changes of cities. The areas and buildings left behind, initially inaccessible to the public, provide cities with new spaces. These play an important role for a future-oriented, progressive urban planning. During long processes the areas are transformed into residential, cultural or new commercial spaces. Through opening the area for the public, stories and knowledge about former uses of the industrial site disappear. Urban changes become difficult to comprehend if the process is not properly documented. As cities are in a constant flux and people adapt to new environments very quickly, it is often forgotten how it had felt or looked before. This raises the question of how urban changes can be documented, made visible and perceptible. In Basel, too, there are numerous ongoing ideas and projects for the conversion of former industrial and commercial areas. As an example of a transformation process that is still in its infancy, this master’s thesis is focused on the disused factory site "Franck-Areal" in Basel. Its emptiness offers to be explored and creates new spaces of possibilities. Inspired by the techniques of photoethnography and visual anthropology, the area is explored and documented over a period of five months. The research is mainly done through participative observation with the use of the medium photography and is used as a tool for "data collection". By looking through the camera, a different view of the environment is experienced. Through the process of photography, moments are illuminated that are only perceived through the view of the camera. Through the resulting images, moments are highlighted that will disappear with the transformation. These moments refer not only to the visually perceived, but also to a holistic, physical experience of space that is incorporated during this work. During the process of taking photographs, it is not only the sense of sight that is focused on the surroundings, but also the presence of the whole body in the space. In addition to the photographs, further material is produced during the five-month "field research". After visiting the site, personal impressions and experiences and notes from conversations are written down. A further exploration of the ‘empty space’ are the photographs and pictures from old books and archives. They contribute to overcome the physical and mental inaccessibility of the area. As a second part the images that have been created and collected are subsequently ordered, analysed and evaluated with reference to ethnographic methods. This leads to categories that indicate the symbolism of the images. They also reveal the photographer’s perspective and point of view. These indicate which motifs were perceived as important during the research. For example, they show the importance and symbolism of doors which played an essential role during the work. The resulting material is processed into a physical publication that allows the viewer to experience the place. Linked to the personal experiences during the research period, the readers go through a small section of the transformation process, from an untouchable to a space of possibility.11 - Studentische ArbeitPublikation Flowing secrets. Practice-led research on water springs in Switzerland(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Scheiwiller, Valentina; Reymond, Claire; Oplatek, Jiri; Zeller, LudwigThis master’s thesis is dedicated to the topic of water springs and their importance for us humans. Water springs have a huge importance as they feed us, rivers, lakes and oceans and thus form the basis of our lives. Yet we know surprisingly little about them, and only a quarter of the population in Switzerland has ever seen or consciously perceived a natural water spring. This work aims to use visual communication to renew and expand our relationship with water springs. It is about appreciating and making us aware of the importance and value of water as a vital element. In a western world where water is often taken for granted, it is even more important to highlight the special nature of water springs. In this thesis the visual communication has the task of bringing water springs closer to people and making them aware of how much water affects our lives. Through the use of photography and videography the aim is to create an installation that establishes a connection between people and nature. The diversity of water springs is the focus of the work. Through an installation in the room, the viewer is surrounded by water springs, guided by the sound of the water. On my numerous hikes in the Swiss mountains and the Jura, I went in search of water springs and filmed and photographed them. In the process, not only was the interest in the water springs themselves great, but also in their usage. Sometimes they were completely undiscovered and untouched, while others were heavily frequented by tourists. In the end, my attention was drawn to five water springs that showed a remarkable diversity. The theoretical part examines the importance of water springs from an ecological perspective. It looks at where water springs are located in Switzerland and their significance. In addition, philosophical theories such as “Deep Ecology” by Arne Næss are considered in order to shed light on the relationship between humans, the environment and nature. The historical significance of water springs in different religions additionally emphasizes their relevance. The motivation for this master’s thesis arose from personal interest and my own involvement with water springs. While growing up in the immediate vicinity of a natural water spring I was fascinated by the connection between nature and water. The importance of water as the most fundamental element for life and the current changes due to climate change intensified the interest in water springs and their mediation. The Unterengadin, with its unique water springs, particularly served as a source of inspiration. The aim of this master’s thesis is not to present us humans as protagonists, but to assign a protagonist role to the water spring. Through visual experiments, thought-provoking impulses are to be given to establish a new connection to water and its springs and possibly to question one’s own water consumption. The work combines abstraction and criticism of us humans and aims to establish a relationship between us and the water springs.11 - Studentische ArbeitPublikation Windowcentric. Centralization of one object in a visual narrative(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Uchman-Nakamoto, Katarzyna; López, Paloma; Hollaus, Invar Torre; Bircher, ThomasThe window, a mundane yet ubiquitous architectural element, holds a fascinating magnetism within both the cultural history as well as the realm of visual storytelling. From Renaissance masterpieces to contemporary installations, the window is still very present, representing practicality and profound symbolism. Its significance in visual arts lies not only in its functional purpose of introducing natural light into the composition or directing the viewers gaze but also in its ability to evoke emotions, frame perspectives and invite contemplation. Throughout the art history, the window has served as a channel for artistic expression, embodying notions of limitation, discovery and the interplay between the interior and exterior containing the duality of that it both separates and connects and offering a glimpse into various worlds. Reflecting on the captivating attributes inherent to the window, followed by a deep investigation into its multifaced nature, has initiated an inquiry into its contemporary potential within the realm of visual narratives, specifically within the medium of illustration and graphic novel. The intricate interplay between the images in illustrated visual narrative enables for a mixture of imagination and storytelling fostering an exploration of diverse concepts. By undertaking research on a window’s dynamic qualities, symbolic resonances, and narrative capabilities this project aims to experiment in constructing a comprehensive and compelling visual narrative that centers around a singular object. This approach, rooted in the notion of centralizing an everyday object, draws inspiration from the movement of “proximate ethnography” that emerged within the arts, particularly in France during the 1970s. Artists such as Georges Perec or Sophie Calle contributed to this movement, advocating for an examination of the aspects of daily life and a departure from the allure of the exotic and distant. The questions that emerged from my preliminary research and guided my theoretical and visual investigation were the following: What is the potential of the window as a visual storytelling tool? How to build a compelling narrative around one object? How does it impact the narration? Following George Perec’s urge to study familiar objects and influenced by his portrayals of something as simple as a bedroom, as exemplified in Species of Spaces, I started drawing the essence of what I saw through and around windows I encountered, often in abstract and exaggerated forms. This led me to creating a windowcentric narrative: a story revolving around a window, adapting both the inside and the outside perspective that it offers. The resulting product of the project consists of a graphic novel seeking to construct an intriguing world of the possible (future) window views for the viewer to immerse themselves in. My visual contribution aims to provide a fresh point on the object of the window and its utilization within visual narratives. Moreover, it aspires to inspire the recipient to evaluate their relationship with the window as an object of reflection and contemplation.11 - Studentische ArbeitPublikation Voice of water(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Sukach-Kochetkova, UlianaThe project visualizes the sound of water through a ceramic installation. The goal was to visualize the sound of water in a 3D image. The ceramic result was created on the basis of cymatic, scientific and metaphorical, subjective approaches, which are completely opposite to each other, but still answer the same question that I have been working on for five months: How can we visualize the sound of water in volume? The result shows that, like cymatic shapes, a simple shell is the answer. And the concept of vases and volumes that can hold water symbolizes the theme of water as a color. This installation is open for interaction and exploration with the viewer. And every visitor may answer the question: Do ceramic objects represent the visual sound of water for you?11 - Studentische Arbeit