2020, Allen, Jamie, Greiner-Petter, Moritz

Dans leur conférence-performance, Jamie Allen et Moritz Greiner-Petter auscultent le "détecteur de mensonge", dispositif utilisé par les services de police et les assurances prétendument capable de décrypter dans le stress vocal les sentiments enfouis.

2017-11-29, Greiner-Petter, Moritz

2016-12, Caviezel, Flavia, Allen, Jamie, Bruder, Johannes, Greiner-Petter, Moritz, Miyazaki, Shintaro, Volkart Schmidt, Yvonne

2016, Allen, Jamie, Greiner-Petter, Moritz

“How to Build a Lie” is a lecture/video by Jamie Allen and Moritz Greiner-Petter, the final part of an apocryphal technologies artistic research project into media objects and technologies associated with “lie detection” and “truth verification”. The arc of this research includes a physical recreation of a voice stress analysis machine that analyses the self-read audiobook versions of presidential autobiographies, The Lie Machine (2014); a residency with the Media Archeology Lab in Denver, Colorado; a thematic exhibition at Dateline gallery; a publication with Counterpath Press upon which this lecture/video is based. Texts contains excerpts of writing by Ursula Le Guin, Avital Ronell, Paul Feyerabend, Geoff Bunn, Charles Darwin, amongst others. Video materials were culled from various online sources, including “The Old Typewriter”, “Die Wiege des Kinos” and “Der Mensch als Industriepalast”, also amongst others. “How to Build a Lie” lecture/video was commissioned by the Archaeologies of Media and Technology (AMT) group at University of Southampton, Winchester School of Art (Dr. Jussi Parikka and Dr. Ryan Bishop) for the group’s public launch event, Future Past Tense on October 26, 2016, organised in collaboration with the transmediale festival.

2018-03-05, Greiner-Petter, Moritz, Koval, Peter, Devalle, Veronica, Speziale, Anabella

2017, Garnicnig, Bernhard, Allen, Jamie, Greiner-Petter, Moritz

2016-04-04, Mareis, Claudia, Bruder, Johannes, Greiner-Petter, Moritz, Allen, Jamie, Caviezel, Flavia, Latour, Bruno

Design research and concept development for the exhibition Reset Modernity!

2018, Greiner-Petter, Moritz

2017, Greiner-Petter, Moritz, Allen, Jamie

Impossible Escapes is an escape and evasion map publication developed and distributed in collaboration with Neural magazine and transmediale festival Berlin. The project addresses illusive tendencies to escape – be it from technology, society, or earth – and gathers various strategies of how to handle this most modern impetus of escaping. Technoculture promises many ways out of our problematic modernity and we keep running away from ourselves in iteration. But it is more than doubtful, that escape is truly possible – or desirable. How can we nevertheless value the benefits of escape as a temporary gesture, movement or process? What might be forms of effective everyday micro-escapes? And what could be alternative notions and attitudes to confront our problems? The map publication was exclusively distributed through special editions of Neural magazine’s issue 56 (which also features an essay about the project) as well as throughout the 2017 anniversary edition of transmediale festival “ever elusive” in Berlin. As part of the festival program, three parallel workshop sessions took place at different exits of Haus der Kulturen der Welt, the festival’s venue. The workshop was concluded by a field trip around the building, led by invited artist Leanne Wijnsma, who has made digging tunnels an essential part of her artistic practice.

2016, Allen, Jamie, Bruder, Johannes, Greiner-Petter, Moritz, Mareis, Claudia, Caviezel, Flavia, Allen, Jamie, Bruder, Johannes, Greiner-Petter, Moritz, Mareis, Claudia, Caviezel, Flavia