Allen, Jamie
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Allen, Jamie
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- PublikationWhat on earth is the planetary?(2023) Allen, Jamie; Bolen, Jeremy [in: Anthropocene Curriculum]There are efforts being made, and forced upon us, to grapple with the earth as an entity, object, and force. Under the guise of “planetarity,” these efforts span pursuits in the natural sciences of atmospheres, environments, and geologies, the biologies of living and ecologies of nonliving things, and the human knowledge practices that chart social, geopolitical, logistical, and infrastructural globalism. In their video essay project, “The Impossibility of a Planet,” artists and researchers Jeremy Bolen and Jamie Allen engage in dialogues with those who seek to compose planetary-scale images, thinking, narratives, and models. In a companion essay to the video segments, an inquiry into the media and methods of such compositions provides complement. Where do planetarities come from, and where are they taking us?10 - Elektronische-/ Webpublikation
- PublikationCivic Ecologies(2022) Allen, JamieCivic Ecologies is a workshop and research approach towards rendering more accessible, understandable and changeable the vast array of interconnected, material relations that underly modern urban life, cross-culturally and in global locales. In short, "making 'public works', public again." Cities dominate how critical components of global ecological systems flow and operate. Understanding how 'civic ecologies' can be democratically and ecologically managed is no longer just an infrastructural curiosity, but a planetary priority. Through fieldwork visits to energy, water, food, transport, and communication system sites, comparative studies of the infrastructure of global cities, ecologies, and natures in undertaken. In the context of the international, low-residency NYU Interactive Media Arts programme, these workshops have involved students from all over the globe, evolving projects that respond locally to the demands of global urbanization. Projects, designs and artworks created through the workshop test the possibilities and limits of public, accessible infrastructures and thriving environments for humans, and others, in always and increasingly globalised urban centres.06 - Präsentation
- PublikationAeolian Technology(2022) Allen, JamieA talk for the "In the Wind" sessions of Anant National University Design programme, relating environmental art, design to principles and ideas of elemental media, ecological and material philosophy, and the history of infrastructure. Using the aeolian harp as a metaphor and actual designed instrument for the tracing of both human and natural actualities and histories, this session asked students to interrogate and reconfigure relationships between ecology and technology, technique and elemental flows.06 - Präsentation
- PublikationIt All Begins on the Surface(2022) Russell, Catherine; Allen, Jamie [in: Anthropocene Curriculum]It All Begins on the Surface, Being a Sedimentologist in the Anthropocene is a set of discussions transcribed and edited toward an article for the Anthropocene Curriculum materials emerging from the Mississippi. An Anthropocene River, and as part of the extended Temporary continent. project. These generous discussions began as conversations between Dr. Catherine Russell, Anthropocene sedimentologist and US-UK Fulbright-Lloyd’s Visiting Scholar at the University of New Orleans, and Jamie Allen. It all started on a walk, continued on a bus trip, and proceeded through online calls, messaging, and email, including during a pandemic and its lockdowns, for quite a long time—three touching and delicate years of intermittent check-ins paying witness to changing perspectives, sometimes difficult realizations, and the generative magic of discussion between people with rather different perspectives. When the Anthropocene River group witnessed the ongoing transformations taking place along the Mississippi River, it was already clear that we are in a period in which the world will increasingly expect, need, and rely on “answers” from people like Catherine—geologists, geoscientists, geographers, and the like. That is, those wehope can help us make sense of “the Earth,” and, perhaps, how to better be Earthlings.10 - Elektronische-/ Webpublikation
- PublikationReptile Brain(Onassis Foundation, 2022) Carver, Louise Emily; Allen, Jamie; Engelhardt, Anna [in: Chimeras: Inventory of Synthetic Cognition]Chimeras. Inventory of Synthetic Cognition is a collective glossary on Artificial Intelligence exploring the synthetic nature of cognition from a variety of perspectives: interspecies, crip, monstrous, feminist, distributed, and decolonial, amongst others. Contributions to the lexicographical compendium include entries on the "Reptile Brain" and "Technogenesis". The publication is edited by Anna Engelhardt and Ilan Manouach, produced with the Onassis Foundation in Athens, and forecasts into speculative terrains.04A - Beitrag Sammelband
- PublikationThe Impossibility of a Planet(Haus der Kulturen der Welt, 2022) Bolen, Jeremy; D'Aguiar, Adrian; Allen, Jamie; Rossee, Carlina [in: Collaborative Practice on a Changing Planet]The Impossibility of a Planet is a collaborative, multichannel documentary, produced with artist and researcher Jeremy Bolen. Motion graphics by Adriano D'Aguiar. The project touches on the practices of people whose work, research, practice and thought default to 'planetary magnitudes'. The project canvases international contacts in communities of geoscience, geopolitics, anthropology and journalism, whose practices are necessarily and often in different ways ‘global’ in scope, asking, also through the experience of a pandemic, where and how do we continue this work? What motivates planetary-scale projects and work, as technologies increasingly mediate our relations to one another and the planet? How do we undertake and understand new lines of communication, trust and intimacy with our collaborators and peers? How do ‘empirical research’ and fieldwork change when access to the field, lab and locales of this research change often and in important ways? A write up of the project is included in The Whole Life: An Archive Project'sUn-/Learning Archives in the Age of the Sixth Extinction. A set of six video vignettes conjoin to form a contiguous film, to be screened online and in an offline exhibition installation. Initial presentations include an evening screening as part of the Collaborative Practice on a Changing Planet public events at HKW Haus der Kulturen der Welt The Impossibility of a Planet tells a story of how global science and knowledge are composed, and sometimes decompose. Interviews with 'planetary practitioners' are continually added to the work through multiple versions and public exhibitions. Current discussion partners include Tina Sikka, Jim Igoe, Will Steffen, Allison Stegner, Jan Zalasiewicz, Gabriela Barreto Lemos, Tim Lenton, Michael Mazarr, Jinnah Zubar, Peter Haff, Ron Milo, Ana Mizher, Manfred Laubichler, Simon Turner, Mark Williams, Friederike Otto and Cymene Howe, amongst many others.14 - Ausstellungsbeitrag
- PublikationHustle, Grind and Sleep(2022) Allen, Jamie; Kellermeyer, Jonas [in: The Posthumanist]We work endlessly. Whether it be justified by love,money, or both, it seems clear that the popular imaginary and contemporary conditions of the industrialised West are arranged such that there is always more work to do. We are always working — on ourselves, on others (things, relationships, people), presuming to understand its value and utility, and presuming that it will always increase the common good. Albert Camus’ famous inversion — to regard Sisyphus as the prototype of a happy person, always assured of work, always with something to do — is a seemingly benign allegory for microcultures in which continuous work is a must, a mantra, a mania and a meme; microcultures in which leisure is luxury, and sleep is optional.01A - Beitrag in wissenschaftlicher Zeitschrift
- PublikationOf Metabolic Myth(2022) Allen, Jamie [in: Raddar]There are few areas of material culture from which people demand more authenticity, integrity and transparency than the techniques and materialities surrounding food. Foods materialise myths and imaginaries of nature and modernity, and entire regional economies and national cuisines rely on evolved and invented stories about where and how foodstuffs are prepared. At the same time, systems of provenance are challenging to establish, fakes common, and forgery rampant. Cultures and peoples the world over concern themselves with the genuineness of dishes and the pedigree of raw materials and preparations. Governance and policy structures attempt to snare those who wilfully or otherwise commit the deep offence of violating the economic sanctity or highly intimate significance of foods. Food processes are faked, adulterated, contaminated and stigmatised in ways that deeply revolt, pervert and reveal those things about which human beings care most deeply. The myths, materiality, media, systems and infrastructures of food are a metabolic imaginary that links seemingly simple alimentary processes to notions of truth-telling and authenticity. Our culinary techniques and performances of socialisation, story- telling and identity show, yet again, that “truth is a matter of the imagination”.10 - Elektronische-/ Webpublikation
- PublikationMoving Food(2022) Odunlami, Abbey; Allen, JamieThe workshop analyses contemporary food trends, ecological and infrastructural food systems relations, toward the development of artistic consumption and serving concepts, media communications, physical designs and sustainability models. Workshop contents and activities examine what is gained and what is lost in trying to create balances, careful and respectful cross-cultural, intersectional and infrastructurally- and ecologically-minded consumption practices for globalized communities.06 - Präsentation
- PublikationUn-/Learning Archives in the Age of the Sixth Extinction(2022) Allen, Jamie; Basu, Priyanka; Becerra Valdez, Tamara; Bolen, Jeremy; Browne, Simon; Cahill, Susan; Hogan, Mél; Rowell, SteveThis workshop will deal with archives as related to overlapping sites of nature/culture, climate change, deep time and the built environment. Is the archive a viable repository of potential regenerative material for the future? Can it be an input in a positive feedback system of mutually assured destruction – an irrational fear response in the face of loss that condemns that which is not-yet-dead to the already-past?06 - Präsentation