Allen, Jamie

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Jamie
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Allen, Jamie

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2014 - 201942020 - 20211
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Gerade angezeigt 1 - 5 von 5
  • Vorschaubild
    Publikation
    On the Modes of Technical Extraction in Chile
    (Open Humanities Press, 2021) Allen, Jamie; Rossiter, Ned; Neilson, Brett [in: Logistical Worlds. Infrastructure, Software, Labor]
    The diagram and essay On the Modes of Technical Extraction in Chile is a visual essay on the historical and contemporary extractive regimes affecting the southwest South American nation of Chile. It is a depiction arising from a collective research visit to the Valparaíso port systems, copper mines and communities of Chile for the Logistical Worlds project in March 2017. It attempts to draw out "how the long, narrow strip of land between the Andes and the Pacific Ocean that is Chile is continuing its long history of infrastructural-becoming."
    04A - Beitrag Sammelband
  • Vorschaubild
    Publikation
    The Art of Instituting
    (Intellect, 2019) Allen, Jamie; Garnicnig, Bernhard; Toft Ag, Tanya [in: Digital Dynamics in Nordic Contemporary Art]
    The authors examine a digital dynamic within a networked sense of collectivity, and how this has influenced and enabled institutional experimental sites of thinking and production. They locate a tendency to organize oneself in collective groups as particularly evident in the Nordic context, reflecting a cultural history of ‘instituting’ (i.e. the formation of associations and unions) and today forming sites of hacker spaces, DIY technology groups, and artist-run project studios that hover between science, art and technology. These sites are necessary, the authors argue, as institutional forms to diversify responsibility across collectives, while simultaneously helping to equalize agencies, energies and temporal resilience, and exert post-capitalist influence.
    04A - Beitrag Sammelband
  • Vorschaubild
    Publikation
    The Overgrounds and Undergrounds of Pure and Applied Science: Cosmic Collisions and Industrial Collusion
    (Springer, 2018) Allen, Jamie [in: Media Theory]
    Archeology and geology are presumed to be "pure" knowledge practices, curiosity-driven investigations of the material histories of humankind and the Earth. Underwritten by Enlightenment techniques and tropes like clarity, organisation, cleanliness and illumination, there is in all the sciences a similar drive and imaginary toward a valuation of purity, against application, in all the sciences. These practices of observation, sampling, inscribing, analyzing and publishing are, of course, much more untidy than we sometimes imagine. What other sciences might be possible, were we more sensitive to the complicity of specific material practices as collusive affairs, amalgams of the pure and the applied, the clean and the messy, the ecological and the infrastructural, of light and shadow, of overground and underground?
    01A - Beitrag in wissenschaftlicher Zeitschrift
  • Vorschaubild
    Publikation
    Letter from the Editors: R3PAIR VOLUME
    (Continent, 2017) Allen, Jamie; Houston, Lara; Rosner, Daniela K; Jackson, Steven J. [in: Continent]
    Like all collaborative endeavors, bringing together an edited collection is about fixing as much as gathering the insights and details (and yes, flaws and limits) of individually or jointly conceived pieces to bring about a larger conversational whole – a drawing forth, or drawing together, of scattered threads and pieces into something considerably messier than a quilt. All the more so when the collection is the result of a generative collaboration, bringing guest editors Lara Houston, Daniela K. Rosner, Steven J. Jackson in conversation with the continent. collective to present this special issue “R3pair Volume”. The conversation of course runs deeper and longer than the 17+ months of engagement among the contributors here. For the last 5, 10, 20 or 100 years (pick your starting point!), a motley and heterogeneous band of thinkers from Europe, North America, and the world have grown suspicious of the stories we tell about objects as stable and therefore rather settled things (whose drama, if any, inheres only at moments of design); and the way these stories render invisible a whole range of human relationships with and to objects that turn out to be central to sustaining the worlds around us, however provisional.
    01A - Beitrag in wissenschaftlicher Zeitschrift
  • Vorschaubild
    Publikation
    Critical Infrastructure: A Peer-Reviewed Journal About
    (01.06.2014) Allen, Jamie [in: APRJA]
    The essay and ideas included here is a discussion of the topics raised through CRITICAL INFRASTRUCTURE, an artistic research and production residency that took place as part of the lead up to the transmediale festival, afterglow, 2014. The project’s initiation was about uncovering the resources and reserves of physical and material energies, signals and data that scaffold the very possibility of post-digital art-and-technology practices. Through a series of public workshops, and an installation project situated within the transmediale 2014 festival, CRITICAL INFRASTRUCTURE’s ‘post-digitality’ is not only historical-temporal, but immediate, and dredged up from below, in the present. The artistic project stemming from research and public events through the project creates a media-archaeological site-survey, revealing data and depth of the present moment of an art and technology festival.
    01A - Beitrag in wissenschaftlicher Zeitschrift