Cslovjecsek, Markus
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- PublikationExploring Computational Music Thinking in a Workshop Setting with Primary and Secondary School Children(ACM, 08/2017) Hug, Daniel; Petralito, Serge; Hauser, Sarah; Lamprou, Anna; Repenning, Alexander; Bertschinger, Didier; Stüber, Nadine; Cslovjecsek, Markus; Petralito, Serge [in: Audio Mostly - Conference on Interaction with Sound]Motivated by the essential role of music in children’s lives, the potential of sound as sensory modality, and the importance of teaching Computational Thinking, there is great pedagogical potential in the integration of musical and computational thinking into “Computational Music Thinking”. In this paper we report a pilot study exploring research and design approaches in creating learning environments and tools, which stimulate the interest of children and adolescents for both computer science and music in a sustainable way in the context of creative, self-guided activities. For the purposes of the study, two online tools, AgentCubes online, a 3D game design environment, and Ludosonica, an interactive music composition and performance system, were employed in a series of workshops designed for primary and secondary school children. Results from the study generally con rm the pedagogical potential of Computational Music Thinking and point toward promising future research directions.04 - Beitrag Sammelband oder Konferenzschrift
- Publikation500 miles - ein Song, der uns auf viele Züge aufspringen lässt(2017) Noppeney, Gabriele; Cslovjecsek, Markus [in: Babylonia]01B - Beitrag in Magazin oder Zeitung
- PublikationComputational Music Thinking - Using End-User Programming to Explore Musical Creation in a STEAM-oriented Integrated Music Education Setting(07/2016) Hug, Daniel; Stüber, Nadine; Repenning, Alexander; Cslovjecsek, Markus; Hauser, Sarah; Agotai, Doris; Miyazaki, Shintaro; Escherle, Nora; Assaf, Dorit; Woodward, Sheila [in: Proceedings of ISME 2016]Computers have not only changed the way we live and work, but also how we create and consume music. Music software and apps are nowadays widespread in music education (Bauer, 2014). But the potential of the computer as actual musical „computing device“ is rarely exploited. In the area of computer science education the need to approach programming as creative and playful activity has been acknowledged since several years (Repenning et al., 2015). „Computational thinking“, as approach to problem solving that can be executed by both humans and computers (Wing, 2006), is being fostered in schools in the context of STEM (Science, Technology, Engineering, Math) education. And it is increasingly acknowledged that the notion of STEM should be extended to „STEAM“, the "A" standing for "the Arts", in order to foster transdisciplinary, holistic and innovative thinking. The use of algorithms and computing machinery has a long tradition in music, from the “musical dice games” to musical automatons and the computer music of the 20th century. Learning procedural and time-based concepts such as rhythm, melody and polyphony involves some kind of computational music thinking. Algorithmic composition offers children many opportunities to develop their own understanding of "musicality" from an inside perspective, by defining their own rules for generating "organized sound", and by understanding the "rules" and structures underlying various musical phenomena, practices and cultures. Recent works have demonstrated approaches to implement computational principles in classroom or workshop settings (Greher & Heines, 2014; Burnard et al., 2014). Therefore, we see great pedagogical potential in the integration of musical and computational thinking to “Computational Music Thinking”, which we would like to share and discuss with the community.04B - Beitrag Konferenzschrift
- PublikationGefahr oder Chance? Förderung fachfremder Kompetenzen im Musikunterricht(Schwabe, 2016) Noppeney, Gabriele; Cslovjecsek, Markus [in: Helveticum]01A - Beitrag in wissenschaftlicher Zeitschrift
- PublikationInterdisciplinarity in further education and initial teacher training: practitioner research as tool to support learning processes(25.11.2015) Hänggi, Françoise; Fersztand, Colin; Cslovjecsek, MarkusSince 2012, the Departments of Music Education and English Didactics at the University of Applied Sciences have organised continual professional development courses in Switzerland with the aim of empowering practising teachers at primary and secondary level to make more of foreign language and music learning opportunities in their classrooms. Many of these courses were realised within the wider context of the interdisciplinary EU Comenius project "European Music Portfolio - Languages 2009-2012". This contribution gives a brief overview of how practitioner research was used as a reflective tool in the courses to continually improve them, to support learning processes and to feed into own professional development. Depending on the course, data collection was based on in-depth interviews with participants, post-course e-questionnaires, self-assessment and observation. The diversity of results reflects the interdisciplinary nature of the context and the range of interests and backgrounds of the reflective practitioners. A common thread is the light they shed in the search of a common understanding of "empowerment" in interdisciplinary and mixed-ability contexts.06 - Präsentation
- PublikationTowards an Enactive Swimming Sonification: Exploring Multisensory Design and Musical Interpretation(11/2015) Hug, Daniel; Seibert, Gabriela; Cslovjecsek, Markus; Kalliris, George [in: Proceedings of Audiomostly 2015, - 10th Conference on Interaction with Sound]In this paper we present a design method that integrates the exploration of visual representations and musical expertise in the process of creating a swimming sonification, and initial results of the method’s application in an explorative study. Our focus lies on the creation of a sonic representation that facilitates the affective, intuitive reproduction of the crawl swim movement. The method integrates artistic creativity and a systematic design process. By combining the linguistic-conceptual, visual and auditory representation of the (imagined) movement, we aim to advance the expressive quality of the sonic representation as well as the design method in a crossmodal, holistic way. Finally we report on a qualitative evaluation of the potential of this approach to support the affective, intuitive re-enactment of the swimming movement.04B - Beitrag Konferenzschrift
- PublikationKeynote: The Role of Music in School - Delving into the Limits of Interdisciplinarity(02.07.2015) Cslovjecsek, Markus; Casals, Albert; Viladot, LaiaKeynote-Lecture: The Role of Music in School - Delving into the Limits of Interdisciplinarity 1) GENERAL FRAMEWORK The education is changing and, consequently, also the role of music in the school. This can be explained by several factors, such as: - organizational / structural (crisis) - pedagogical / didactic - Conceptual (what is meant by music, sound processing, etc) in this new context we trend towards a more “global/holistic” and comprehensive learning and this is the context that favours a range of possibilities for the treatment of disciplines; from an elementary interdisiplinarity to the integration ... 2) THEORY: Theoretical reflections on what integration is. SIG-PRIME ISME as an internationally recognized teaching-research line. Introducing the EUROPEAN MUSIC PORTFOLIOS as a whole. 3) DEVELOPMENT OF EMP-Math Is EMP-M possible in our context? (Spanish for the audiecnce) We’ll talk about the state of the art based on the published articles (articles LEEME and MER). where we are, what has been published. We’ll show blogs and web mad by teachers ... We’ll explain the different experiences and the data we have collected (working groups, assessment, TFM, TFGs, workshops) – and some Videos!06 - Präsentation
- PublikationA Critical, Design Driven Approach to New Interfaces for Music Education(04/2015) Hug, Daniel; Cslovjecsek, Markus; Hennessy, Sarah [in: Proceedings of RIME 2015, The 9th International Conference for Research in Music Education]Over the last years, smartphones and tablets have become attractive and ubiquitous platforms for sound and music applications, popularizing new ways of creating and manipulating digital sound. According to Krebs, founder and director of the DigiEnsemble Berlin, music apps offer people with little or no musical education access to new means of musical activity and sonic expression (Krebs 2014). This development has an impact on how music making is conceptualized and practiced and thus is relevant for music education. As practitioners increasingly incorporate multitouch tablets in their educational practice (see, e.g., Riley 2013, Krebs 2014), a critical and practice based pedagogical discourse regarding the use of these technologies is necessary, in order to allow the “reflective practitioner” to develop a systematic understanding of the diverse application and interface concepts, which can be seen as embodiments of musical concepts and ideologies. Furthermore, it can inform the design of applications for a pedagogy of listening and music/sound making, that truly leverage the potential of new technologies and meet the quality standards of music education.04B - Beitrag Konferenzschrift
- PublikationSound Learning in Math Classrooms: How Children Teach us to Teach(WTM, 2015) Cslovjecsek, Markus; Inniger, Samuel; Caluori, Franco; Linneweber-Lammerskitten, Helmut; Streit, Christine [in: Beiträge zum Mathematikunterricht 2015]04 - Beitrag Sammelband oder Konferenzschrift
- PublikationMehrsprachigkeit und Musik – interdisziplinäre Weiterbildungskurse als Entwicklungslabor für Unterricht und Lehre(hep, 2015) Cslovjecsek, Markus; Hänggi, Françoise; Vanotti, Manuele; Weil, Markus [in: Weiterbildung und Mehrsprachigkeit | Formation continue et plurilinguisme | Further education and plurilingualism]In dieser Publikation werden didaktische und konzeptionelle Annäherungen vorgestellt, die den Umgang mit Sprache und Mehrsprachigkeit in der Weiterbildung beleuchten. Sie richtet sich an interessierte Fachpersonen, die in Kindergarten, Schule, Hochschule und Weiterbildung planend sowie lehrend tätig sind. Im Vordergrund steht dabei jeweils die Weiterbildung für Lehrende im Bereich der Mehrsprachigkeit und deren Didaktik.
Abstract des Artikels: Lieder und rhythmische Sprachspiele sind als fröhliche und entspannende Aktivitäten im Sprachunterricht bereits gut bekannt und werden oft in Lehrmittel aufgenommen, meist zum Aufbau von Wortschatz oder zur Unterstützung der Aussprache. Interdisziplinär genutzt schaffen musikalische Aktivitäten eine Reihe von neuen Lern- und Lehrmöglichkeiten. In diesem Beitrag soll aufgezeigt werden, wie die im Rahmen eines interdisziplinären EU-Projektes (www.emportfolio.eu 2009–2012) gewonnenen Erkenntnisse und die daraus entwickelten Materialien in verschiedenen Weiterbildungen von Lehrpersonen aufgenommen und umgesetzt wurden.04 - Beitrag Sammelband oder Konferenzschrift