Caviezel, Flavia
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Caviezel
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Flavia
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Caviezel, Flavia
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- PublikationDACAR – Doing Arth-Goldau–Como as artistic research(22.11.2019) Gisler, Priska; Ritter, Christian; Caviezel, FlaviaA workshop conceptualised and organised by the SARN Board members and members of the working group 'Methods & Practices' Flavia Caviezel, Priska Gisler and Christian Ritter. The research initiative DACAR – Doing Arth-Goldau–Como as artistic research serves as an agent and means to explore various ways “to do methods". It is dedicated to north-south/south-north mobility between the metropolitan regions of Zürich and Como/Milan. The focus lies on movements of people, material and immaterial goods. In its frame, explorative approaches and formats are tested. To approach the topic two workshops were conducted in 2019, including the Workshop Zug-Weggis-Bürgenstock. The workshop had a special focus on commodity trade, cash flow and tourism. * Visiting the city of Zug, Bahnhofstrasse * Visit at Kolmar Mining Company, KSL AG * Visit at Afrika Museum of the St. Petrus-Claver-Sodalität in Zug * Visit at Tourism Destination Weggis * Visit at Bürgenstock Resort At both workshops, field work was carried out as observation; intense exchange amongst the participants of the workshop; meetings with key actors in the field; talking to residents of and people working in the area; observing local businesses; walking as a method of perception; writing field notes; taking pictures, recording audio & video material; and an essayistic field report in the aftermath of the workshop.06 - Präsentation
- PublikationDACAR – Doing Arth-Goldau–Como as artistic research(23.05.2019) Caviezel, Flavia; Gisler, Priska; Ritter, Christian; Büsse, MichaelaA workshop conceptualized and organised of the SARN Board members Flavia Caviezel, Priska Gisler and Christian Ritter, in collaboration with Michaela Büsse, all members of the SARN working group 'Methods & Practices'. The research initiative DACAR – Doing Arth-Goldau–Como as artistic research serves as an agent and means to explore various ways “to do methods". It is dedicated to north-south/south-north mobility between the metropolitan regions of Zürich and Como/Milan. The focus lies on movements of people, material and immaterial goods. In its frame, explorative approaches and formats are tested. To approach the topic two workshops were conducted in 2019, including the Workshop Hospental/Andermatt . This workshop focused on raw material businesses/gravel pits, art on the periphery and tourism in the Gotthard region, in the Andermatt-Hospen Valley. During the field research we engaged in discussions with protagonists from the region in the following activities: *Haus für Kunst Altdorf: talk and exhibition tour with the director/curator Barbara Zürcher *Talk and tour at the slag landfill Attinghausen with the managing director Edi Schilter *Visit at the gravel and concrete landfill in Zumdorf *Visit at the open community meeting Andermatt *Visit at the Design Hotel Chedi Andermatt At both workshops, field work was carried out as observation; intense exchange amongst the participants of the workshop; meetings with key actors in the field; talking to residents of and people working in the area; observing local businesses; walking as a method of perception; writing field notes; taking pictures, recording audio & video material; and an essayistic field report in the aftermath of the workshop.06 - Präsentation
- PublikationGet up, Stand up: The Politics of Objects(08.03.2018) Glissmann, Pascal; Kimball, Selena; Botha, Nadine; Moraes, Pedro; Caviezel, FlaviaConcept and moderation of the session 'Get up, Stand up: The Politics of Objects' by Flavia Caviezel at the conference 'Beyond Change', organised by the Swiss Design Network.06 - Präsentation
- PublikationArt Research Work. 3rd conference of the Swiss Artistic Research Network SARN.(08.12.2017) Caviezel, Flavia; Schwander, Markus; Schenker, Christoph; Preisig, Barbara; Rüegger, Romy; Gisler, Priska; Mader, Rachel; Peyer, Siri; Koehle, Petra; Hürzeler, LuziaCollaboration of the SARN Board member Flavia Caviezel with the other members and organizers on the conference concept; conducting a table talk at the SARN conference Art Research Work. The 2017 SARN Conference explored the working conditions prevailing within artistic research. In the last 20 years, an institutionalization and academization of artistic work known as “artistic research” has taken place. Arts universities are establishing research institutes, promoting PhD programs, and competing against universities for funding. Most artists only have small workloads in institution-based research. As much time is spent on projects and exhibitions as on teaching and earning a living. Although much of this work receives great symbolic recognition, it remains unremunerated. Working in such diverse contexts demands great flexibility regarding methods, skills, and the ability to reconcile several roles. The two-day SARN Conference reflected on the processes involved in institutionalizing the changing material and ideological preconditions of artistic research in recent years from the perspective of artistic researchers. The conference aimed to better understand the current situation of artistic researchers, to outline concrete ideas for future work-life strategies and for other funding and job opportunities, and to formulate concrete demands for self-determined artistic research. The Conference took place at Zurich University of the Arts (ZHdK). In line with the conference topic, we reflected on working conditions at ZHdK’s new building.06 - Präsentation
- PublikationArt Research Work. Table talk(08.12.2017) Caviezel, Flavia; Jakob, UrsulaA Table Talk during the SARN conference 'Art Research Work' conceptualized and conducted by SARN Board member Flavia Caviezel in collaboration with Ursula Jakob. The 2017 SARN Conference explored the working conditions prevailing within artistic research. In the last 20 years, an institutionalization and academization of artistic work known as “artistic research” has taken place. Arts universities are establishing research institutes, promoting PhD programs, and competing against universities for funding. Most artists only have small workloads in institution-based research. As much time is spent on projects and exhibitions as on teaching and earning a living. Although much of this work receives great symbolic recognition, it remains unremunerated. Working in such diverse contexts demands great flexibility regarding methods, skills, and the ability to reconcile several roles. The two-day SARN Conference reflected on the processes involved in institutionalizing the changing material and ideological preconditions of artistic research in recent years from the perspective of artistic researchers. The conference aimed to better understand the current situation of artistic researchers, to outline concrete ideas for future work-life strategies and for other funding and job opportunities, and to formulate concrete demands for self-determined artistic research. The Conference took place at Zurich University of the Arts (ZHdK). In line with the conference topic, we reflected on working conditions at ZHdK’s new building.06 - Präsentation
- PublikationIn which direction does research direct the artist?(23.03.2016) Caviezel, Flavia; Schwander, Markus; Murdoch, Sadie; Hagmann, SabineA workshop conceptualized and organised by the SARN Board members Flavia Caviezel and Markus Schwander. For many years, SARN has been conducting the debate about artistic research. In this Workshop, it will deepen the debate with new content, by examining the exhibitions Dada Anders and Ulla Von Brandenberg (Museum haus konstruktiv Zurich) as well as by hosting a talk between the artist Sadie Murdoch and the Goldsmiths alumni and artist Sabine Hagemann about Murdoch's work as lecturer and researcher at Goldsmiths College London.06 - Präsentation
- Publikation(SARN): Walk on the Wild Side? Questioning the Impact of Artistic Research(18.06.2015) Caviezel, Flavia; Dumond, Camille; Gisler, Priska; Mader, Rachel; Peyer, Siri; Schwander, Markus06 - Präsentation
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