Mareis, Claudia

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Mareis
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Claudia
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Mareis, Claudia

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2017 - 201912020 - 20223
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Anfangsdatum: 2017 × Dateien dazu vorhanden?: Ja ×

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Gerade angezeigt 1 - 4 von 4
  • Vorschaubild
    Publikation
    Grey design: critical practices of design at the peripheries of the discipline
    (transcript, 2022) Greiner-Petter, Moritz; Mareis, Claudia; Greiner-Petter, Moritz; Renner, Michael [in: Critical by Design? Genealogies, Practices, Positions]
    04B - Beitrag Konferenzschrift
  • Vorschaubild
    Publikation
    Critical by Design? Genealogies, Practices, Positions
    (transcript, 2022) Mareis, Claudia; Greiner-Petter, Moritz; Renner, Michael
    In its constructive and speculative nature, design has the critical potential to reshape prevalent socio-material realities. At the same time, design is inevitably normative, if not often violent, as it stabilises the past, normalises the present, and precludes just and sustainable futures. The contributions rethink concepts of critique that influence the field of design, question inherent blind spots of the discipline, and expand understandings of what critical design practices could be. With contributions from design theory, practice and education, art theory, philosophy, and informatics, »Critical by Design?« aims to question and unpack the ambivalent tensions between design and critique.
    03 - Sammelband
  • Vorschaubild
    Publikation
    Critical by design? An introduction
    (transcript, 2022) Mareis, Claudia; Greiner-Petter, Moritz; Renner, Michael; Mareis, Claudia; Greiner-Petter, Moritz; Renner, Michael [in: Critical by Design? Genealogies, Practices, Positions]
    04A - Beitrag Sammelband
  • Vorschaubild
    Publikation
    Media Labs – Medienlabore als gestalterische Experimentier- und Forschungsräume
    (Christoph Merian Verlag, 2017) Mareis, Claudia; Allen, Jamie; Langkilde, Kirsten [in: Poetry of the Real]
    The contribution deals with ongoing research projects and methods being employed at the Academy of Art and Design’s Critical Media Lab and puts them into the context of current Media-Lab discussions such as the recently launched initiative “What’s a Media Lab” by Darren Wershler, Jussi Parikka and Lori Emerson, or the recently published book “New Laboratories” (De Gruyter 2016) by Charlotte Klonk of the BWG Cluster of Excellence in Berlin. These discourses at the interface of scholarly, scientific-technical and, above all, artistic research, focus, on the one hand, on situated practices and methods of experimentation and, on the other, address the hybridization and problematization of disciplinary and institutional knowledge and production spaces.
    04A - Beitrag Sammelband