Ritzmann, Marion
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- PublikationACT 20 years building bridges(This publication is part of the publishing project: Existenz und Produkt, 03/2023) Braun, Anja; Ergör, Gökçe; Genovese, Nicola; Luv, Linda; Peñaloza, Maricruz; Ritzmann, Marion; Rochat, Anne; Roshier, Darren; Sanvee, Davide-Christelle; Sunarjo, Benjamin; Weinberger, HannahIntroduction discourse This object is a performative book that can be flipped through without a linear narrative. It contains moments of encounters. In 2022, a three days performance festival took place in Biel/Bienne. Created in 2003, this festival, ACT, then celebrated its 20th edition. Whenever I have to explain the concept of ACT, I usually say it’s a performance festival for students. Each school organizes its own festival day. The students can participate to any festival organized by the schools. It is a national gathering and exchange on performative practices and performance art not only for students, but also for us, the coordinating team. Each school has one or two coordinators for the ACT festival, usually performance artists themselves that are sharing the joy and potential of performance art. For the 20th festival edition we decided to organize a three days event that hosted more than 100 performances. The performances took place in DISPO, Schlachthof / Les abattoirs, Lokal-Int, Kunsttreibhaus (Joli mois de Mai / Visarte), Centre d’art Pasquart and Public Sphere in Bienne/Biel. We give thanks to each venue for their amazing collaboration during the festival. We also owe our schools the financial, technical support and their trust: édhéa Valais / F+F School of Art and Design, Zürich / FHNW Academy of Art and Design, Basel / HEAD – Geneva / HSLU Lucerne School of art and Design / SfG BB School of Design Bern and Biel / Bern Academy of the Arts HKB / Zhdk Zurich University of the Arts. We also want to thank the city of Biel/Bienne, city of Sierre, city of Nidau and the Oertli Stiffung for their financial support. After the pandemic during which all the living art events were cancelled, we realized how much occasions such as ACT are important for students and more broadly for art. We realized how much this gathering matters, may be even more than art itself. Keeping this idea in mind we designed the festival, emphasizing on the relational aspect of such an event: gathering and building bridges. We thus invited external artists, special guests, former art students and participants of ACT themselves, who all proposed a workshop for the students, along the festival program: Louise Bozolec, Aziza Daou, Alex Ghandour, Till Langschied, Léa Rüegg & Marc Norbert Hörler, Lumpen Station – Andrea Marioni, Anina Müller, Jorge Raka, Gregory Stauffer. Apreperf / PANCH Resonanz in Sprache participated too by writing various texts about the performances. So what does it mean, a performative book? It isn’t an archive of the performances. You will not find beautiful images of the performances, a catalog of the artists, or decriptions of the performances itself. As the festival has a webpage that functions as an archive, pictures and texts on the performances can be discovered online: www.act-perform.net. This book is a collection of thoughts, moments, ideas, events and encounters arising while experiencing the festival. An archive of gatherings, an archive that foster the importance of sharing such moments in a student’s journey, an archive of what happened around the performances during the festival. We collected testimonials such as visuals or memories of participating students, texts generously written by Apreperf, adapted versions of the interventions by our invited artists, thoughts about act by the original founders, and the organization team: Anja Braun, Gökçe Ergör, Nicola Genovese, Linda Luv, Maricruz Pe Peñaloza, Marion Ritzmann, Anne Rochat, Darren Roshier, Davide-Christelle Sanvee, Benjamin Sunarjo, Hannah Weinberger – own experience of the festival. Some of the texts were originally written in French or German, they are all translated in English in this publication, but preferably to be read in their original language. This book is meant to be discovered. Whenever you feel like it, pick it up and let yourself float into the different contents. This will be your performance. Enjoy your own encounters flipping through this book. Darren Roshier03 - Sammelband
- PublikationFortsetzung folgt (Set 2)(edition fink, 2020) Ritzmann, Marion; Latimer, QuinnSet with 3 publications / Cardboard book with text and 2 posters with drawing, folded. Teilpublikationen 5–7 aus: Fortsetzung folgt02 - Monographie
- PublikationMetric Pictures Draft #7(edition fink, 2020) Ritzmann, MarionArtists’ poster / Published as part of “Fortsetzung folgt”02 - Monographie
- PublikationMetric Pictures Draft #4(edition fink, 2020) Ritzmann, MarionArtists' poster / Published as part of “Fortsetzung folgt”02 - Monographie
- PublikationAnalog Chat I–III Sound Piece(edition fink, 2019) Ritzmann, MarionThe artist’s record “Analog Chat I–III” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The 12" vinyl contains three new recordings made for this issue, which are based on a series of performances that were performed in Berlin, Basel and Biel in 2012. The equipment of the performance “Analog Chat” consists of a table, two chairs, two mechanical typewriters and a stack of A4 paper. The performance begins with Marion Ritzmann sitting down at one side of the table and waiting until someone from the audience sits down opposite her at the table and starts the dialogue. The rule of writing only one word per sheet of paper leads to the slowing down of communication in a real space. The written sheets of the analogue chats are later each bound into a book in the order in which they were created. Thus, three original books of the three Performances have been left, which now serve as the score for the present recordings. To continue the series of “Fortsetzung folgt”, the artist types the collected texts word by word on her laptop, using the internal microphone to record the resulting sounds of the keyboard. Three audio pieces have emerged, which oscillate between noise and rhythm and give an idea of the audience’s acoustic experience during the performances.02 - Monographie
- PublikationDiese Erinnerung hat sich also als Erfindung herausgestellt(Diaphanes, 2016) Wilke, Alice; Ritzmann, Marion; Gebhardt Fink, Sabine; Mathis, Muda; von Büren, Margarit [in: Aufzeichnen und Erinnern. Performance Chronik Basel (1987-2006)]Ein Gespräch zwischen Marion Ritzmann und Silvana Iannetta im Nachgang zum gemeinsamen Sichten des Dokumentationsvideos über die Performance «Liberty» von Andrea Saemann, 12.12.2002. Zuvor hatten sich die beiden Künstlerinnen ohne die Hilfe von Dokumentationsmaterial an die Performance zu erinnern versucht.04A - Beitrag Sammelband
- PublikationFortsetzung folgt(edition fink, 2015) Wilke, Alice; Ritzmann, Marion«Fortsetzung folgt» ist ein Set mit drei Teilpublikationen vor: ein Block mit monochromen Farbstiftzeichnungen, ein Heft mit Fotografien von Kreidelinien und eine Zeitung mit zehn literarischen Texten von Markus Stegmann zu zehn Arbeiten der Künstlerin.02 - Monographie
- Publikation80 colour pencils(edition fink, 2015) Ritzmann, MarionPublished as part of “Fortsetzung folgt” / 80 full-page illustration in colour, pad binding The artist’s pad “80 colour pencils” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The starting point for “80 colour pencils” is a box of eighty crayons in different colours and the concept of painting an A4 sheet of paper completely with each of them, resulting in eighty monochrome drawings. For the publication, these were facsimiled and glued into a pad as a colour fan. A bit-link on the cover page takes us to the corresponding entry on the artist's website, where we find further documentary visual material and a description of the work.02 - Monographie
- PublikationMoving Objects in Rose Madder(edition fink, 2015) Ritzmann, MarionPublished as part of “Fortsetzung folgt” / 8 double-sided illustration, saddle stitching The artist’s booklet “Moving Objects in Rose Madder” by Marion Ritzmann Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. On 16 pages, the booklet shows details of photographs from the installation of the same name. On display are white chalk lines on the grey-black primed floor, the traces and drawings left by the objects being moved by the exhibition visitors. If we are holding the artist’s booklet in our hands, however, this fact remains hidden to us for the moment; the drawings are available without comment, leaving us free to view and interpret them. If we follow the bit-link on the title page, we reach the corresponding entry on the artist’s website, where we find documentary visual material on the installation and a description of the work.02 - Monographie
