“Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries

dc.contributor.authorMotuz, Catherine
dc.contributor.authorMeléndez Peláez, Josué
dc.contributor.editorKoslovsky, John
dc.contributor.editorSchuijer, Michiel
dc.date.accessioned2025-05-13T12:20:30Z
dc.date.issued2024
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/51361
dc.language.isoen
dc.publisherRoutledge
dc.relation.ispartofMusic Performance Encounters
dc.spatialAbingdon
dc.subject.ddc780 - Musik
dc.title“Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries
dc.type04A - Beitrag Sammelband
dspace.entity.typePublication
fhnw.InventedHereYes
fhnw.ReviewTypeNo peer review
fhnw.affiliation.hochschuleHochschule für Musik Basel FHNWde_CH
fhnw.affiliation.institutHochschule für Musik / Schola Cantorum Basiliensisde_CH
fhnw.openAccessCategoryClosed
fhnw.pagination19-44
fhnw.publicationStatePublished
fhnw.seriesNumberPAS1142
relation.isAuthorOfPublicationdd5141fd-bb5f-4e28-9b5a-40b1e8128e30
relation.isAuthorOfPublication.latestForDiscoverydd5141fd-bb5f-4e28-9b5a-40b1e8128e30
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