“Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries
dc.contributor.author | Motuz, Catherine | |
dc.contributor.author | Meléndez Peláez, Josué | |
dc.contributor.editor | Koslovsky, John | |
dc.contributor.editor | Schuijer, Michiel | |
dc.date.accessioned | 2025-05-13T12:20:30Z | |
dc.date.issued | 2024 | |
dc.identifier.uri | https://irf.fhnw.ch/handle/11654/51361 | |
dc.language.iso | en | |
dc.publisher | Routledge | |
dc.relation.ispartof | Music Performance Encounters | |
dc.spatial | Abingdon | |
dc.subject.ddc | 780 - Musik | |
dc.title | “Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries | |
dc.type | 04A - Beitrag Sammelband | |
dspace.entity.type | Publication | |
fhnw.InventedHere | Yes | |
fhnw.ReviewType | No peer review | |
fhnw.affiliation.hochschule | Hochschule für Musik Basel FHNW | de_CH |
fhnw.affiliation.institut | Hochschule für Musik / Schola Cantorum Basiliensis | de_CH |
fhnw.openAccessCategory | Closed | |
fhnw.pagination | 19-44 | |
fhnw.publicationState | Published | |
fhnw.seriesNumber | PAS1142 | |
relation.isAuthorOfPublication | dd5141fd-bb5f-4e28-9b5a-40b1e8128e30 | |
relation.isAuthorOfPublication.latestForDiscovery | dd5141fd-bb5f-4e28-9b5a-40b1e8128e30 |
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