Was hat Corelli in der None gefunden?

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Author (Corporation)
Publication date
2015
Typ of student thesis
Course of study
Type
04A - Book part
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Supervisor
Parent work
Corelli als Modell
Special issue
DOI of the original publication
Link
Series
Basler Jahrbuch für historische Musikpraxis
Series number
37
Volume
Issue / Number
Pages / Duration
89-104
Patent number
Publisher / Publishing institution
Amadeus
Place of publication / Event location
Winterthur
Edition
1
Version
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Abstract
What did Corelli Find in the Ninth? For Johann Mattheson, Corelli, whose works he „wants to have praised as a splendid model, irrespective of their age” (Vollkommener Capellmeister, Hamburg 1739, 91) was still a paragon in 1739. When Mattheson discussed the ninth in the chapter on dissonances, he again came to speak about Corelli, writing that Corelli had sought and found something in the ninth that neither before nor after him „anybody had done; whoever he might be“ (326). Unfortunately, Mattheson did not explain exactly what was so unique and at the same time exemplary in Corelli’s handling of the ninth. The present text attempts to explore this question both in view of Corelli’s works and in consideration of the contemporary practice and teaching of composition. Although it is focused only on a detail – the ninth – this perspective can nevertheless yield insights regarding Corelli’s personal style: it can show, on the one hand, in what way certain emphatic moments of his music are based on a specific use of the ninth and, on the other hand, how it serves as a characteristic component and syntactical element of his idiom.
Keywords
Corelli, None, Kontrapunkt
Subject (DDC)
780 - Musik
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ISBN
978-3-905786-16-3
ISSN
Language
German
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
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Expert editing/editorial review
Open access category
License
Citation
MENKE, Johannes, 2015. Was hat Corelli in der None gefunden? In: Agnese PAVANELLO (Hrsg.), Corelli als Modell. 1. Winterthur: Amadeus. S. 89–104. Basler Jahrbuch für historische Musikpraxis, 37. ISBN 978-3-905786-16-3. Verfügbar unter: http://hdl.handle.net/11654/17662