Miserere Mei Deus a15. Marco Giuseppe Peranda
Loading...
Authors
Author (Corporation)
Publication date
26.02.2024
Typ of student thesis
Master
Course of study
Master of Arts Musikalische Performance Alte Musik
Type
11 - Student thesis
Editors
Editor (Corporation)
Supervisor
Parent work
Special issue
DOI of the original publication
Link
Series
Series number
Volume
Issue / Number
Pages / Duration
Patent number
Publisher / Publishing institution
Hochschule für Musik / Schola Cantorum Basiliensis
Place of publication / Event location
Basel
Edition
Version
Programming language
Assignee
Practice partner / Client
Abstract
In the 17th century, Italian virtuoso musicians were coveted in Northern Germany as the Italian style was seen as more beautiful than that of the native. No court followed this thought more so than in Dresden, where the Elector Johan Georg II reforms of music, organisation of musical ensembles and hiring of Italian musicians gave the Court at Dresden a lasting musical legacy. Over the second half of the century Italians would become status symbols, receiving the highest salaries and the utmost respect. In Dresden, four major Italian musicians would move into Germany, and be made Kapellmeisters and along with the Prince make Dresden a hub for the Italianate style.
Keywords
Subject (DDC)
Event
Exhibition start date
Exhibition end date
Conference start date
Conference end date
Date of the last check
ISBN
ISSN
Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Review
Open access category
License
Citation
Chidgey, D. (2024). Miserere Mei Deus a15. Marco Giuseppe Peranda [Hochschule für Musik / Schola Cantorum Basiliensis]. https://irf.fhnw.ch/handle/11654/52333