Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context

dc.accessRightsAnonymous
dc.audienceScience
dc.contributor.authorPavanello, Agnese
dc.date.accessioned2016-01-07T14:45:02Z
dc.date.available2016-01-07T14:45:02Z
dc.date.issued2015-07-06
dc.description.abstractIn this paper I will focus on fifteenth-century century Elevation motets in order to contextualize the Milanese motet cycles in a wider liturgical and musical practice. After discussing the liturgical significance and function of the Elevation, with its rich gestural symbolism, I will explore the extant repertoire with particular regard to the texts and their circulation. The presence of settings of the same texts in different environments will raise the question about the possible existence of narrower ties between the Milanese corpus and other local traditions.
dc.eventMedieval and Renaissance Music Conference
dc.identifier.urihttp://hdl.handle.net/11654/12018
dc.language.isoenen_US
dc.spatialBrussels
dc.subjectElevationen_US
dc.subjectMilanese motets 15th centuryen_US
dc.subject.ddc780 - Musikde
dc.titleElevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context
dc.type06 - Präsentation
dspace.entity.typePublication
fhnw.InventedHereYes
fhnw.IsStudentsWorkno
fhnw.PublishedSwitzerlandNo
fhnw.ReviewTypeAnonymous ex ante peer review of an abstract
fhnw.affiliation.hochschuleHochschule für Musikde_CH
fhnw.affiliation.institutHochschule für Musik / Schola Cantorum Basiliensisde_CH
fhnw.publicationStateUnpublished
relation.isAuthorOfPublication467241cc-292c-4592-a701-9e5ebc6d51ea
relation.isAuthorOfPublication.latestForDiscovery467241cc-292c-4592-a701-9e5ebc6d51ea
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