"‘Vieltönigkeit" instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century "Microtonal" Music
Authors
Author (Corporation)
Publication date
2016
Typ of student thesis
Course of study
Type
04A - Book part
Editors
de Assis, Paulo
Editor (Corporation)
Supervisor
Parent work
Experimental Affinities in Music
Special issue
DOI of the original publication
Link
Series
Orpheus Institute Series
Series number
Volume
Issue / Number
Pages / Duration
64-90
Patent number
Publisher / Publishing institution
Leuven University Press
Place of publication / Event location
Leuven
Edition
Version
Programming language
Assignee
Practice partner / Client
Keywords
Subject (DDC)
Event
Exhibition start date
Exhibition end date
Conference start date
Conference end date
Date of the last check
ISBN
978-94-6270-073-4
ISSN
Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
Expert editing/editorial review
Open access category
License
Citation
KIRNBAUER, Martin, 2016. „‘Vieltönigkeit“ instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century „Microtonal“ Music. In: Paulo DE ASSIS (Hrsg.), Experimental Affinities in Music. Leuven: Leuven University Press. S. 64–90. Orpheus Institute Series. ISBN 978-94-6270-073-4. Verfügbar unter: https://doi.org/10.26041/fhnw-1870