"‘Vieltönigkeit" instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century "Microtonal" Music

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Publication date
2016
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Course of study
Type
04A - Book part
Editors
de Assis, Paulo
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Parent work
Experimental Affinities in Music
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DOI of the original publication
Link
Series
Orpheus Institute Series
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Volume
Issue / Number
Pages / Duration
64-90
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Publisher / Publishing institution
Leuven University Press
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Leuven
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ISBN
978-94-6270-073-4
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Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
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Expert editing/editorial review
Open access category
License
'http://creativecommons.org/licenses/by-nc-nd/3.0/us/'
Citation
KIRNBAUER, Martin, 2016. „‘Vieltönigkeit“ instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century „Microtonal“ Music. In: Paulo DE ASSIS (Hrsg.), Experimental Affinities in Music. Leuven: Leuven University Press. S. 64–90. Orpheus Institute Series. ISBN 978-94-6270-073-4. Verfügbar unter: https://doi.org/10.26041/fhnw-1870