Singing to the lute in the early 16th century
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Authors
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Publication date
04.04.2022
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Master
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11 - Student thesis
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Hochschule für Musik Basel FHNW, Schola Cantorum Basiliensis
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Basel
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Abstract
This study focuses on the art of self-accompanied song in the first half of the 16th century, by
firstly examining settings of public and private performances of secular and sacred music in
French and Italian courts as well as surviving accounts of singing instrumentalists from Italy
and Spain, and repertoire for voice and lute found in French, Italian or Spanish sources.
Secondly, this study explores didactical sources, such as instructions for lute, vihuela, recorder
or viol, or music theory and composition. The third part of the study concentrates on the process
of creating progressive material to guide the lutenist to sing to their instrument, based on the
historical sources and the repertoire studied in the first two parts.
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English
Created during FHNW affiliation
Yes
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Review
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Citation
Roux, E.-L. (2022). Singing to the lute in the early 16th century [Hochschule für Musik Basel FHNW, Schola Cantorum Basiliensis]. https://doi.org/10.26041/fhnw-4723