Re:aesthetics. How creative practices can be reshaped by constraints of material, time, and energy
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Autor:innen
Autor:in (Körperschaft)
Publikationsdatum
2025
Typ der Arbeit
Master
Studiengang
Master of Arts FHNW in Digital Communication Environments
Typ
11 - Studentische Arbeit
Herausgeber:innen
Herausgeber:in (Körperschaft)
Betreuer:in
Übergeordnetes Werk
Themenheft
DOI der Originalpublikation
Reihe / Serie
Reihennummer
Jahrgang / Band
Ausgabe / Nummer
Seiten / Dauer
Patentnummer
Verlag / Herausgebende Institution
Hochschule für Gestaltung und Kunst Basel FHNW
Verlagsort / Veranstaltungsort
Basel
Auflage
Version
Programmiersprache
Abtretungsempfänger:in
Praxispartner:in/Auftraggeber:in
Zusammenfassung
Re:aesthetics is a design-led exploration into how creative practices can be reshaped by constraints of material, time, and energy. The Master's thesis investigates what happens when aesthetics are not pursued through abundance, speed, or industrial efficiency, but instead emerge from conditions of limitation – from working with what is already available, from slowing down, and from aligning design processes with environmental rhythms. The work takes the form of a book-performance divided into two chapters: Material and Energy. The Material chapter reclaims discarded packaging, leftover test prints, and found paper surfaces, turning waste into the foundation for new work. The Energy chapter engages with renewable sources – primarily solar power – to shape both process and outcome, from sunlight-powered drawings to plant-based printing techniques. Each experiment is both a visual outcome and a record of its own making. Every page documents a process that is inseparable from its conditions: the cloud that halted a drawing, the pigment that faded under the sun, the offset plate that found new life as a book cover. These traces are not imperfections but essential features – visible imprints of time, place, and environmental interaction. Re:aesthetics is, above all, a proposition: that design can be regenerative rather than extractive, and that aesthetics can evolve in dialogue with ethics. By working within the limits of what is at hand and what nature provides, the project reframes constraint not as a loss, but as a generative force – one that shapes form, meaning, and value in ways industrial abundance rarely allows.
Schlagwörter
regenerative, renewable, energy, materials, limitations
Fachgebiet (DDC)
Veranstaltung
Startdatum der Ausstellung
Enddatum der Ausstellung
Startdatum der Konferenz
Enddatum der Konferenz
Datum der letzten Prüfung
ISBN
ISSN
Sprache
Englisch
Während FHNW Zugehörigkeit erstellt
Ja
Zukunftsfelder FHNW
Publikationsstatus
Begutachtung
Open Access-Status
Lizenz
Zitation
Sukach-Kochetkova, U. (2025). Re:aesthetics. How creative practices can be reshaped by constraints of material, time, and energy [Hochschule für Gestaltung und Kunst Basel FHNW]. https://irf.fhnw.ch/handle/11654/53616