Women, technology, and domestic soundscapes. The role of women in the phonograph and gramophone industries

dc.contributor.authorDomínguez, Áurea
dc.date.accessioned2026-09-17T14:50:58Z
dc.date.issued2025
dc.description.abstractThis article examines women’s central role in the adoption, consumption, and dissemination of sound technologies between 1890 and 1930. It analyzes how women acted as consumers, cultural curators, technological users, and employees within the emerging recording industry. Advertising sources reveal their expertise in selecting machines and repertoires, while domestic practices show how recorded sound reshaped musical life in bourgeois households. The article argues that women influenced both the cultural integration and commercial development of phonographs and gramophones, challenging assumptions about their marginality in technological modernity.
dc.identifier.doihttps://doi.org/10.5281/zenodo.16752173
dc.identifier.issn1476-816X
dc.identifier.urihttps://irf.fhnw.ch/handle/11645/58085
dc.issue3
dc.language.isoen
dc.publisherCity of London Phonograph & Gramophone Society
dc.relation.ispartofFor the Record (Cupar)
dc.subject.ddc780 - Musik
dc.titleWomen, technology, and domestic soundscapes. The role of women in the phonograph and gramophone industries
dc.type01B - Beitrag in Magazin oder Zeitung
dc.volume93
dspace.entity.typePublication
fhnw.InventedHereYes
fhnw.ReviewTypenot peer-reviewed
fhnw.affiliation.hochschuleHochschule für Musik Basel FHNWde_CH
fhnw.affiliation.institutHochschule für Musik FHNW / Klassikde_CH
fhnw.openAccessCategoryClosed
fhnw.pagination20–25
fhnw.publicationStatePublished
relation.isAuthorOfPublication8c6f544a-8d1f-46a5-9604-a57b5f16e984
relation.isAuthorOfPublication.latestForDiscovery8c6f544a-8d1f-46a5-9604-a57b5f16e984
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