Tartini’s Re-Formulation Strategies in Alternative Concerto Movements
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Authors
Author (Corporation)
Publication date
2022
Typ of student thesis
Course of study
Type
04A - Book part
Editors
Taschetti, Gabriele
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Supervisor
Parent work
Giuseppe Tartini: Fundamental Questions
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DOI of the original publication
Link
Series
Giuseppe Tartini and the Musical Culture of the Enlightenment
Series number
1
Volume
Issue / Number
Pages / Duration
225–262
Patent number
Publisher / Publishing institution
Berlin
Place of publication / Event location
Peter Lang
Edition
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Abstract
This chapter focuses on alternative movements in Giuseppe Tartini’s concertos. As is evident from existing autograph scores and from sources from Tartini’s circles, the violinist later composed new movements for some concertos, probably on the occasion of new performances, and in particular the central ones. This study addresses the question of why Tartini changed the formal arrangement of an existing work and whether the new movements were intended as true substitutions or mere alternatives. The aim of this preliminary investigation is to provide a first frame of reference for the study of Tartini’s works characterized by a non-univocal/variable formal arrangement and to contribute to the analysis of the works in question and their transmission.
Keywords
Giuseppe Tartini, concertos, alternative movements, style and chronology, string accompaniment in solo passages
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ISBN
978-3-631-86908-6
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Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
Peer review of the complete publication
Open access category
Closed
License
Citation
Pavanello, A. (2022). Tartini’s Re-Formulation Strategies in Alternative Concerto Movements. In G. Taschetti (Ed.), Giuseppe Tartini: Fundamental Questions (pp. 225–262). Berlin. https://irf.fhnw.ch/handle/11654/34688