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dc.contributor.authorPapiro, Martina
dc.date.accessioned2020-02-18T07:51:00Z
dc.date.available2020-02-18T07:51:00Z
dc.date.issued2012
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/30457
dc.description.abstractFestive operas were preserved in the form of libretti with accompaying graphic plates and, in the context of court publicity, made available to the public and to posterity. The illustrations show the stage area with scenery decoration and all the theater machines employed. They oscillate between factual documentation and an idealized portrayal of the performance. In this paper, the conventions of this type of picture are introduced with the help of etchings of the Florentine festive operas on the occasion of the weddings of members of the ruling Medici family. This selective examination of strategies of pictorial composition should show whether and how the courtly music theater as an interaction of the arts was represented in the two-dimensional medium.en_US
dc.language.isode_CHen_US
dc.relation.ispartofBasler Jahrbuch für Historische Musikpraxisen_US
dc.accessRightsAnonymous*
dc.subjectFestpublizistiken_US
dc.subjectDruckgraphiken_US
dc.subjectFlorenzen_US
dc.subjectOperen_US
dc.titleVom Schauraum zur Bildtafel. Die druckgraphische Inszenierung der Florentiner Festopern La Flora 1628 und Le Nozze degli dei 1637en_US
dc.type01 - Zeitschriftenartikel, Journalartikel oder Magazin*
dc.volume2009en_US
dc.issue33en_US
dc.audienceScienceen_US
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeLectoring (ex ante)en_US
fhnw.InventedHereNoen_US
fhnw.PublishedSwitzerlandYesen_US
fhnw.pagination133-158en_US
fhnw.IsStudentsWorknoen_US
fhnw.publicationOnlineNeinen_US


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