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15 Ergebnisse
Ergebnisse nach Hochschule und Institut
Publikation AbfallMaschinen. Oder die Reichweitenangst ethisch-ästhetisch gewendet(transcript, 2021) Volkart Schmidt, Yvonne; Müggenburg, Jan04A - Beitrag SammelbandPublikation Martians Stranded on Earth(Ernst Mach Institut EMI, Fraunhofer Gesellschaft, 2017) Voss, JeronimoErnst Mach schrieb im Jahr 1912: „Wir sind ganz außerstande, die Veränderungen der Dinge an der Zeit zu messen. Die Zeit ist vielmehr eine Abstraktion, zu der wir durch die Veränderung der Dinge gelangen, [...].“ Heute entwickelt der Physiker Julian Barbour diesen Ansatz von Ernst Mach weiter: „Time is an illusion and motion too, put into the world by us and our brains. [...] It’s not a linear story – it appears linear to us [...] but there is nothing linear at all.“ Wer mit zeitbasierten Medien arbeitet kommt zu ganz ähnlichen Ergebnissen. Eine Video-Timeline ist eine Montage von Einzelbildern deren Reihenfolge nicht festgelegt ist, sondern beliebig sortiert und umstrukturiert werden kann. Für Julian Barbour sind diese Einzelbilder Momente die ihren eigenen Rahmen verdienen: „Each moment, each now is very different to each other. A Now has no duration. Nows are eternal.“05 - Forschungs- oder ArbeitsberichtPublikation Metric Pictures Draft #4(edition fink, 2020) Ritzmann, MarionArtists' poster / Published as part of “Fortsetzung folgt”02 - MonographiePublikation Moving Objects in Rose Madder(edition fink, 2015) Ritzmann, MarionPublished as part of “Fortsetzung folgt” / 8 double-sided illustration, saddle stitching The artist’s booklet “Moving Objects in Rose Madder” by Marion Ritzmann Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. On 16 pages, the booklet shows details of photographs from the installation of the same name. On display are white chalk lines on the grey-black primed floor, the traces and drawings left by the objects being moved by the exhibition visitors. If we are holding the artist’s booklet in our hands, however, this fact remains hidden to us for the moment; the drawings are available without comment, leaving us free to view and interpret them. If we follow the bit-link on the title page, we reach the corresponding entry on the artist’s website, where we find documentary visual material on the installation and a description of the work.02 - MonographiePublikation 80 colour pencils(edition fink, 2015) Ritzmann, MarionPublished as part of “Fortsetzung folgt” / 80 full-page illustration in colour, pad binding The artist’s pad “80 colour pencils” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The starting point for “80 colour pencils” is a box of eighty crayons in different colours and the concept of painting an A4 sheet of paper completely with each of them, resulting in eighty monochrome drawings. For the publication, these were facsimiled and glued into a pad as a colour fan. A bit-link on the cover page takes us to the corresponding entry on the artist's website, where we find further documentary visual material and a description of the work.02 - MonographiePublikation Analog Chat I–III Sound Piece(edition fink, 2019) Ritzmann, MarionThe artist’s record “Analog Chat I–III” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The 12" vinyl contains three new recordings made for this issue, which are based on a series of performances that were performed in Berlin, Basel and Biel in 2012. The equipment of the performance “Analog Chat” consists of a table, two chairs, two mechanical typewriters and a stack of A4 paper. The performance begins with Marion Ritzmann sitting down at one side of the table and waiting until someone from the audience sits down opposite her at the table and starts the dialogue. The rule of writing only one word per sheet of paper leads to the slowing down of communication in a real space. The written sheets of the analogue chats are later each bound into a book in the order in which they were created. Thus, three original books of the three Performances have been left, which now serve as the score for the present recordings. To continue the series of “Fortsetzung folgt”, the artist types the collected texts word by word on her laptop, using the internal microphone to record the resulting sounds of the keyboard. Three audio pieces have emerged, which oscillate between noise and rhythm and give an idea of the audience’s acoustic experience during the performances.02 - MonographiePublikation Two Voices for What: A tragicomedy or a romantic comedy or some dinner theatre or “just” liner notes on some sleeve (not of a jacket, no, but on – what – a recording)(edition fink, 2020) Latimer, Quinn; Rutishauser, GeorgPublished as part of “Fortsetzung folgt” by Marion Ritzmann / adhesive binding, cardboard book. Textbuch / Teilpublikation aus: Fortsetzung folgt04A - Beitrag SammelbandPublikation Metric Pictures Draft #7(edition fink, 2020) Ritzmann, MarionArtists’ poster / Published as part of “Fortsetzung folgt”02 - MonographiePublikation An einem grauen Nachmittag flog ein roter Kran – Zehn Texte zu zehn Arbeiten von Marion Ritzmann(edition fink, 2015) Stegmann, Markus; Georg, RutishauserPublished as part of “Fortsetzung folgt” by Marion Ritzmann / Newspaper, loose sheets, folded The newspaper “An einem grauen Nachmittag flog ein roter Kran” (On a grey afternoon a red crane flew) contains a collection of texts by Markus Stegmann and is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications on the artistic work of Marion Ritzmann. In ten literary texts, the author takes us on a personal encounter with ten selected works by the artist. The bit-link on the title page takes us to the online layout of the texts on the artist’s website, which was developed as part of the publication series, and from there to further texts, documentary images and descriptions of all the work, as well as to the complete imprint of the publication series “Fortsetzung folgt”. Textzeitung / Teilpublikation aus: Fortsetzung folgt;04A - Beitrag SammelbandPublikation Fortsetzung folgt (Set 2)(edition fink, 2020) Ritzmann, Marion; Latimer, QuinnSet with 3 publications / Cardboard book with text and 2 posters with drawing, folded. Teilpublikationen 5–7 aus: Fortsetzung folgt02 - Monographie