Kant's theory of the sublime and the visual arts

dc.contributor.editorClewis, Robert R.
dc.contributor.editorSchubbach, Arno
dc.date.accessioned2024-06-04T12:18:14Z
dc.date.available2024-06-04T12:18:14Z
dc.date.issued2023
dc.description.urihttps://mimesisjournals.com/ojs/index.php/aesthetica-preprint/issue/view/245
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/46011
dc.identifier.urihttps://doi.org/10.26041/fhnw-9215
dc.language.isoen
dc.publisherAesthetica Edizioni
dc.relation.ispartofseriesAesthetica Preprint
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.spatialRom
dc.subject.ddc700 - Künste und Unterhaltung
dc.titleKant's theory of the sublime and the visual arts
dc.type03 - Sammelband
dspace.entity.typePublication
fhnw.InventedHereYes
fhnw.ReviewTypeAnonymous ex ante peer review of a complete publication
fhnw.affiliation.hochschuleHochschule für Gestaltung und Kunst Basel FHNWde_CH
fhnw.affiliation.institutInstitute of Digital Communication Environmentsde_CH
fhnw.openAccessCategoryDiamond
fhnw.publicationStatePublished
fhnw.seriesNumber124
relation.isEditorOfPublication56b6cc42-54af-4abb-aa33-255de7f9746e
relation.isEditorOfPublication.latestForDiscovery56b6cc42-54af-4abb-aa33-255de7f9746e
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