Dictating Taste. Max Bill and „Die gute Form“ in Switzerland (1949-1968)

dc.accessRightsAnonymous
dc.audienceScience
dc.contributor.authorDuerschlag, Henryetta
dc.date.accessioned2019-02-21T21:37:05Z
dc.date.available2019-02-21T21:37:05Z
dc.date.issued2018-10-27
dc.eventNORDIK
dc.identifier.urihttp://hdl.handle.net/11654/27413
dc.language.isoen
dc.spatialCopenhagen
dc.subjectModernism
dc.subjectAesthetic Practice
dc.subject.ddc700 - Künste, Bildende Kunst allgemeinde
dc.titleDictating Taste. Max Bill and „Die gute Form“ in Switzerland (1949-1968)
dc.type06 - Präsentation
dc.volume12
dspace.entity.typePublication
fhnw.InventedHereYes
fhnw.IsStudentsWorkno
fhnw.PublishedSwitzerlandNo
fhnw.ReviewTypeAnonymous ex ante peer review of an abstract
fhnw.affiliation.hochschuleHochschule für Gestaltung und Kunst Basel FHNWde_CH
fhnw.affiliation.institutInstitute of Arts and Design Educationde_CH
fhnw.publicationStatePublished
relation.isAuthorOfPublicationb27a4557-7c31-4425-a8e4-1fd2b3203cf8
relation.isAuthorOfPublication.latestForDiscoveryb27a4557-7c31-4425-a8e4-1fd2b3203cf8
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Institute of Arts and Design Education