“Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries
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Author (Corporation)
Publication date
2024
Typ of student thesis
Course of study
Type
04A - Book part
Editors
Editor (Corporation)
Supervisor
Parent work
Music Performance Encounters
Special issue
DOI of the original publication
Link
Series
Series number
PAS1142
Volume
Issue / Number
Pages / Duration
19-44
Patent number
Publisher / Publishing institution
Routledge
Place of publication / Event location
Abingdon
Edition
Version
Programming language
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Practice partner / Client
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Event
Exhibition start date
Exhibition end date
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Conference end date
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ISBN
ISSN
Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
No peer review
Open access category
Closed
License
Citation
Motuz, C., & Meléndez Peláez, J. (2024). “Che hanno contrapunto”: Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries. In J. Koslovsky & M. Schuijer (Eds.), Music Performance Encounters (pp. 19–44). Routledge. https://irf.fhnw.ch/handle/11654/51361