"‘Vieltönigkeit" instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century "Microtonal’ Music"
| dc.accessRights | Anonymous | * |
| dc.audience | Praxis | en_US |
| dc.contributor.author | Kirnbauer, Martin | |
| dc.contributor.editor | de Assis, Paulo | |
| dc.date.accessioned | 2019-12-02T10:55:01Z | |
| dc.date.available | 2019-12-02T10:55:01Z | |
| dc.date.issued | 2016 | |
| dc.identifier.isbn | 978-94-6270-073-4 | |
| dc.identifier.uri | https://irf.fhnw.ch/handle/11654/29955 | |
| dc.identifier.uri | http://dx.doi.org/10.26041/fhnw-1870 | |
| dc.language.iso | en | en_US |
| dc.publisher | Leuven University Press | en_US |
| dc.relation.ispartof | Experimental Affinities in Music | en_US |
| dc.relation.ispartofseries | Orpheus Institute Series | |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | en_US |
| dc.spatial | Leuven | en_US |
| dc.title | "‘Vieltönigkeit" instead of Microtonality. The Theory and Practice of Sixteenth- and Seventeenth-Century "Microtonal’ Music" | en_US |
| dc.type | 04 - Beitrag Sammelband oder Konferenzschrift | * |
| dspace.entity.type | Publication | |
| fhnw.InventedHere | Yes | en_US |
| fhnw.IsStudentsWork | no | en_US |
| fhnw.PublishedSwitzerland | No | en_US |
| fhnw.ReviewType | Lectoring (ex ante) | en_US |
| fhnw.affiliation.hochschule | Hochschule für Musik | de_CH |
| fhnw.affiliation.institut | Hochschule für Musik / Schola Cantorum Basiliensis | de_CH |
| fhnw.pagination | 64-90 | en_US |
| fhnw.publicationState | Published | en_US |
| relation.isAuthorOfPublication | 5a256b0a-19cb-43f6-adc0-ebcea04df9d9 | |
| relation.isAuthorOfPublication.latestForDiscovery | 5a256b0a-19cb-43f6-adc0-ebcea04df9d9 |
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