Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets
dc.accessRights | Anonymous | * |
dc.audience | Science | en_US |
dc.contributor.author | Pavanello, Agnese | |
dc.contributor.editor | Lindmayr-Brandl, Andrea | |
dc.contributor.editor | Kolb, Paul | |
dc.date.accessioned | 2020-02-18T08:07:23Z | |
dc.date.available | 2020-02-18T08:07:23Z | |
dc.date.issued | 2019 | |
dc.identifier.doi | 10.1484/M.EM-EB.5.117281 | |
dc.identifier.isbn | 978-2-503-58454-6 | |
dc.identifier.uri | https://irf.fhnw.ch/handle/11654/30469 | |
dc.language.iso | en | en_US |
dc.publisher | Brepols | en_US |
dc.relation.ispartof | Gaspar van Weerbeke. New Perspectives on his Life and Music | en_US |
dc.spatial | Turnhout | en_US |
dc.subject | Renaissance Polyphony | en_US |
dc.subject | Renaissance Motets | en_US |
dc.subject | Gaspar van Weerbeke | en_US |
dc.title | Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets | en_US |
dc.type | 04A - Beitrag Sammelband | * |
dspace.entity.type | Publication | |
fhnw.InventedHere | Yes | en_US |
fhnw.IsStudentsWork | no | en_US |
fhnw.PublishedSwitzerland | No | en_US |
fhnw.ReviewType | Anonymous ex ante peer review of a complete publication | en_US |
fhnw.affiliation.hochschule | Hochschule für Musik | de_CH |
fhnw.affiliation.institut | Hochschule für Musik / Schola Cantorum Basiliensis | de_CH |
fhnw.pagination | 123-149 | en_US |
fhnw.publicationState | Published | en_US |
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relation.isAuthorOfPublication.latestForDiscovery | 467241cc-292c-4592-a701-9e5ebc6d51ea |