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dc.contributor.authorLurk, Tabea
dc.date.accessioned2021-04-28T07:15:09Z
dc.date.available2021-04-28T07:15:09Z
dc.date.issued2021-04-23
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/32380
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-3729
dc.description.abstractThe talk will introduce the performance art collections at Mediathek HGK FHNW. In doing so, the connection between collecting and enabling culture becomes clear. Then Creative Commens licenses are shortly introduced, because in the academic environment it is common practice to make content freely accessible. The samples will underline the relevance of openness, access and re-use in the specific context of performance art. Finally, a connection to the topics of the conference is presented, by addressing the already mentioned NFT-technology (non-fungible token). The talk considers to what extent blockchain technologies can contribute to an understanding where the free flow of open, artistic content/objects can coexist with a specific type of exclusivity, authenticity, scarcity as it is incorporated in the art market.en_US
dc.language.isoenen_US
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.accessRightsAnonymous*
dc.subjectOpen Accessen_US
dc.subjectNFTen_US
dc.subjectLicensingen_US
dc.subjectPerformance Arten_US
dc.subjectCollectionen_US
dc.subject.ddc020 - Bibliotheks- und Informationswissenschaften_US
dc.titlePerformance art in the context of the special collections and digital archives at Academy of Art and Design FHNW: Remarks on questions of access and reuseen_US
dc.type06 - Präsentation*
dc.spatialHochschule Luzern – Design & Kunsten_US
dc.eventCollecting the Ephemeral: Prerequisites and Possibilities for Making Performance Art Lasten_US
dc.audiencePraxisen_US
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeNo peer reviewen_US
fhnw.InventedHereYesen_US
fhnw.PublishedSwitzerlandYesen_US
fhnw.IsStudentsWorknoen_US


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