Auflistung nach Schlagwort "700 - Künste und Unterhaltung"
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Publikation 1 Sekunde(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Högger, AninaIm Februar 2020 wurde ich in Sizilien am Strand «Eloro» auf Unmengen von Makro- und Mikroplastikpartikeln aufmerksam. Die Menge der Partikel hat mich schockiert, deren Ästhetik jedoch gleichzeitig fasziniert. Daraufhin habe ich viele dieser Teile gesammelt und sie mit dem Ziel, etwas mit ihnen zu machen, aufbewahrt. Im Rahmen der Basis-Thesis ist aus dieser Sammlung eine fast 800 Seiten umfassende Publikation entstanden, die vergrösserte Abbildungen der gesammelten Objekte zeigt. Durch die Vergrösserung werden spannende Details des Zersetzungsprozesses oder Ablagerungen und Schmutz sichtbar, der an den Partikeln haftet. Das Gewicht der Publikation entspricht dem Gewicht des Plastikabfalls, der pro Sekunde ins Mittelmeer gelangt. Ziel der Publikation ist es, einerseits die kleinen, für die meisten Strandgänger:innen unsichtbaren Plastikpartikel sichtbar und andererseits die enorme Menge durch das Gewicht greifbar zu machen. Durch diese physische Erfahrung und die Ästhetik sollen Menschen für die unschöne Thematik der Plastikverschmutzung sensibilisiert werden.11 - Studentische ArbeitPublikation A – A’ . Zwischen Inspiration und Imitation(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Müller, Marc; Stamm, Philipp; Troxler, Annik; Ferraro, ThomasImitation und Inspiration liegen sehr nahe beieinander, wenn es darum geht, ein Projekt neu zu entwickeln. Das Kopieren einer Arbeit ist nicht immer falsch. Im Rahmen meiner Bachelor-Arbeit habe ich die Grenze zwischen Imitation und Inspiration untersucht. Dazu habe ich mich mit dem Plakat «Johannes Froben und der Basler Buchdruck des 16. Jahrhunderts» von Emil Ruder auseinandergesetzt. Das Plakat ist aus zwei Linien und dem doppelzeiligen Titel dazwischen aufgebaut. Für dieses Projekt bin ich von meiner Interpretation einer Buchpresse ausgegangen. Das Ziel war es, das Plakat mehrmals zu verändern und die 1116 finalen Varianten in acht Kategorien zu ordnen. Dabei soll die generierte Masse in Form eines Buches zeigen, was durch das Imitieren oder Nachahmen eines Originals alles möglich ist. Die Medien Buch und Plakat werden verbunden, um den Inhalt des Originals, den Basler Buchdruck, besser transportieren zu können. Ich generiere eine Sammlung, wie es Emil Ruder eventuell ebenfalls gemacht hat, eine Art Rückwärts-Analyse. Das Ziel ist es nicht, ein besseres Original zu erschaffen, sondern mit unzähligen Varianten und einem gebundenen Buch zu zeigen, dass das Imitieren weitere Türen öffnen kann. Kopieren ist wichtig für den Erhalt und vor allem für die Weiterentwicklung der Gesellschaft und der Kultur.11 - Studentische ArbeitPublikation A ghost story. Just as we humans form our selves based on our memories and our touch with the environment, so do things(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Bühler, Rachel; Morger, Priskathe past in the present - Such a being, a soul, a spirit - Touches that tell - About memories of things - Ghosts who whisper - Stories that I know - Invisible and present - With you and me - Lets hold hands - About getting in touch. - Things with soul. - Curtains from another time, terry cloth that soaks up my tears, knitted wool that warms me. - Surfaces that I like to touch and do not remain superficial, surfaces that go deep, surfaces that I feel - Garments that come together and form characters. - I start with collecting.11 - Studentische ArbeitPublikation A hybrid transmedia storytelling. Amplifying voices and presence of emerging photographers(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Hilpertshauser, Mégane; López, Paloma; Hollaus, Invar Torre; Bircher, ThomasIn an era of constant connectivity, individuals are perpetually exposed to images, coexisting in a realm where representations, artificial intelligence, and robotisation dominate. Paradoxically, this increasing interconnectedness may foster a sense of disconnection from reality. Consequently, the boundaries between reality and the digital sphere significantly impacts photography, transforming established artistic practices. Photography remains in constant transition and evolution, rendering the once prominent term post-photographic inadequate to encapsulate the prevailing phenomena it was meant to describe (Brückle, Vitale, 2021). Through an examination of the historical evolution of photography and an exploration of media theory, a dynamic landscape of ever fluid and evolving images emerges, characterized by repetitive patterns and the proliferation of insular cultural spheres. The advent of image recognition technology further narrows perspectives and selectively shapes perceptions. Simultaneously, our experience of the present assumes diverse temporal dimensions, presenting a challenge for emerging photographers and designers who must navigate a fast-paced, fluid, and fragmented world (Goeting, 2022). Given the profound cultural and transformative impacts of contemporary media and technology, an imperative emerges to adopt a critical, thoughtful, imaginative, and alternative approach to digital tools. These emerging media and technologies engender new ways of perceiving, thinking, and acting, thereby transforming designers into active agents who reimagine the complex interplay between technology and culture. The project, entitled "A Hybrid Transmedia Storytelling – Amplifying Voices and Presence of Emerging Photographers", seeks to explore how the convergence of physical and digital realms demands a re-evaluation of how photographic content is shown, presented and distributed. Transmedia storytelling becomes a powerful means of uniting our digital and physical spaces, enabling a deeper understanding of our presence in this hyperconnected world. The name of the platform "Presence" encompasses both the presence of photographers within the artistic realm and the impact of new technologies on photographic creation and representation, along with our own presence in this fast-paced, interconnected society. The project aims to create an environment conducive to discovery and dialogue, with artists such as Arthur Fechoz, Alice Pallot, and Massimiliano Rossetto, while encouraging contemplation and deceleration in the first issue around Sense of Belonging. Deliberately incorporating elements of seriality into the magazine, the project aims to pique readers’/guests’ curiosity, with a foresight of forthcoming digital additions. This concept of deceleration and anticipation fosters an environment favourable to imagination and freedom. Readers actively contribute to shaping the narrative by interrupting chronology and offering fresh perspectives and visions. Ultimately, the project seeks to analyse how contemporary photography and design critically reflect on, experiment with, and envision alternative approaches to engaging with technologies and their cultural ramifications.11 - Studentische ArbeitPublikation A Near-Future Herbarium: Field Guide and Posthuman Collaboration(02.06.2023) Schulze, Marion; Tschoepe, Aylin10 - Elektronische-/ WebpublikationPublikation A project named «System»(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Ulianchyk, Anastasiia; Sánchez, Ama; Marcos, Rafa; Rothfuchs, Tabea; Martinez, Chus4K-Videoanimation, Sound, 1.37 Min.11 - Studentische ArbeitPublikation A quen nunca cantou cústalle comezar. Those who have never sang find it hard to start(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Castro Lema, Lara; Castro Lema, Noa; Sánchez, Ama; Marcos, RafaZwei-Kanal-HD-Video, Farbe, 40 Min.11 - Studentische ArbeitPublikation A Useful Archive(Critical Media Lab, IXDM, Hochschule für Gestaltung und Kunst Basel FHNW, 07.06.2023) Greiner-Petter, Moritz; Lozana Rossenova; Kolb, Lucie; Greiner-Petter, Moritz13 - AusstellungPublikation Abbruchstellen der Erinnerung. Ein Protest gegen das stille Vergessen(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Bischoff, Ona Lia; Taghavi, Nader Abdollah; Sidler, Petra; Wandeler, EvaDer Abbruch eines Gebäudes bedeutet ein Verlust auf verschiedenen Ebenen: Einerseits gehen die dazu verwendeten materiellen Ressourcen verloren. Andererseits verschwinden historische Baukultur und soziale Netzwerke, die in und um ein Gebäude herum verwoben sind. Denn neben der ressourcenmässigen Problematik des Abrisses erzählt eine Baulücke auch von den Verlusten der Menschen, die hier gewohnt haben. Die individuellen Bezüge verknüpfen sich mit Nachbarschaftskulturen und gemeinschaftlich konnotierten und identitätsstiftenden Orten. Die Kartographie dieser städtischen wie auch persönlichen Wunden stellt einen Protest gegen das Verschwinden von Gebäuden dar. Diese macht die Verletzungen sicht- und nachvollziehbar. (Ab-)Risse und Brüche werden gezeigt und prägen sich so ins kollektive Gedächtnis ein. Die Auseinandersetzung mit diesem Thema bündelt sich in einem Buch. In einer fotografisch-kartographischen Dokumentation werden sieben gegenwärtige Abbruchstellen von Basel und ihre dazugehörigen Geschichten porträtiert. Das Archiv der Erinnerungsstücke dient dabei als Andenken an die Gebäude aus der Vergangenheit, als Vergegenwärtigung von etwas Abwesendem.11 - Studentische ArbeitPublikation Acoustic Infrastructure(Continent, 2016) Allen, Jamie; Khaikin, Lital; Linder, IsaacThe street-level sonic cultures, acoustic ecologies and personal interventions available to us have, during this long 20th Century, become proliferated by speakers, microphones, synthesised and recorded playbacks, beeps, buzzes and alarms. Roving gangs of indignant mobile-phone music-listeners disrupt the public transit experience. iPhones chirp out the sound of something called ‘crickets’, creatures many a listener may very well never encounter. Airlines pass on the extravagant levy of ‘noise charges’ to their customers, a kind of psychic and acoustic bandwidth fee. Microwave ovens, automobiles and authoritative ahuman voices chime out an acoustic ecology that is neither ‘natural’ nor ‘cultural’, neither ‘societal’ nor ‘technological’, but something that is a heterogeneous mixture of all of these sources, causes and categories. These are 'acoustic infrastructures', and although human-made, they are naturalised by their ubiquity and always-on-ness, along with our allover, everyday, experience of them.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Activist*scholar collaborations in times of crisis, and beyond. reflections on ‘Urban Activism: Staking Claims in the 21st Century City’(12/2020) Tschoepe, Aylin; Portelli, Stefano01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Aeolian Technology(2022) Allen, JamieA talk for the "In the Wind" sessions of Anant National University Design programme, relating environmental art, design to principles and ideas of elemental media, ecological and material philosophy, and the history of infrastructure. Using the aeolian harp as a metaphor and actual designed instrument for the tracing of both human and natural actualities and histories, this session asked students to interrogate and reconfigure relationships between ecology and technology, technique and elemental flows.06 - PräsentationPublikation Affect and Atmosphere in Controlled Responsive Environments(Springer, 07/2016) Simon, Andreas; Torpus, Jan-Lewe; Heibach, Christiane; Navarro, José Javier; Streitz, Norbert; Markopoulos, PanosWe explore the atmospheric potential and the affective connection between humans and their instrumented, responsive environments and develop corresponding artistic design strategies, evaluating ubicomp environments from a critical perspective, beyond pure application and usefulness. We have designed an abstract, cocoon-like, responsively mediated space and conducted a series of experiments with a total of 17 participants. Results show that participants experience affection, a coupling between themselves and the designed environment, and show strong cognitive engagement to understand and structure the environment through patterns of situation awareness and sensemaking.04B - Beitrag KonferenzschriftPublikation AI and Art. Arguments for Practice(transcript, 12/2023) Schubbach, Arno; Thiel, Sonja; Bernhardt, Johannes C.Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on A. Michael Noll’s early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential of new techniques for design and art.04A - Beitrag SammelbandPublikation Algorithmic experience: visualising the Instagram machine learning process for end-users(Hochschule für Gestaltung und Kunst Basel FHNW, 2023) Szlachta, Anna Maria; Reymond, Claire; Oplatek, Jiri; Zeller, LudwigAlgorithmic experience (AX) is a Human Computer Interaction concept that applies to digital products where a significant part of the end-user experience is determined by the algorithms. In other words, it is not only the quality of the interface that is relevant, but also the algorithmic processes whose result is represented by the interface. Some examples of such software products are social media platforms like Facebook, Instagram, TikTok, YouTube, LinkedIn, and others. With the advancement of algorithms, machine learning and AI, the algorithmic experience that is delivered is increasingly personalised. Moreover, the tailored content means that the experience can be different for each user, depending on several factors. Digital product designers therefore face the challenge of researching with users about their algorithmic experience. However, when we speak of algorithms, we mean complex processes that are invisible to end-users. Typically, understanding algorithmic models and concepts also requires advanced mathematical or technical knowledge. So far, such research has been conducted by means of in-depth interviews, but hit many additional obstacles with, for example, the understanding of basic algorithmic vocabulary. During the thesis, it was proposed to overcome this barrier by using visualisation. Building a common ground between designers and end-users using visual language could deepen the quality of the interviews. This would enable UX researchers to provide more valuable insights to the data science team and also be responsible for shaping the algorithmic experience of the product. The popular social media platform Instagram was chosen as an example for visualisation. A series of images explored how to present the algorithmic process to non-experts. The process included not only image-making but also conversations with Instagram users in an iterative process: design – evaluation with five users during in-depth interviews – design – and next sessions with users. This made it possible to provide an interactive final visualisation that mainly focuses on inputs and outputs, elements in the algorithmic process that are familiar to users. Combined with Instagram’s familiar layout, this enabled discussion on multiple levels, not only referencing users’ own experiences of using the platform, but also learning how much and how users combine information in their mental model of the algorithm. The visual investigation also allowed for a broader consideration of privacy policies and data gathering by technology companies, and their real impact on users’ algorithmic experience. The illustrations opposite show the concepts tested during the design process. During the image-making process, an effort was attempted to combine, on the one hand, Instagram’s known layout for users and, on the other, to present what data is processed by machine learning and AI processes that determine the shape of the algorithmic experience. However, the main focus was on the input and output data in the input-black-box-output process.11 - Studentische ArbeitPublikation All we need is (Art) Research?(Swiss Artistic Research Network (SARN), 2015) Caviezel, Flavia; Gisler, Priska03 - Sammelband
