Listen
13 Ergebnisse
Ergebnisse nach Hochschule und Institut
Publikation Martians Stranded on Earth(Ernst Mach Institut EMI, Fraunhofer Gesellschaft, 2017) Voss, JeronimoErnst Mach schrieb im Jahr 1912: „Wir sind ganz außerstande, die Veränderungen der Dinge an der Zeit zu messen. Die Zeit ist vielmehr eine Abstraktion, zu der wir durch die Veränderung der Dinge gelangen, [...].“ Heute entwickelt der Physiker Julian Barbour diesen Ansatz von Ernst Mach weiter: „Time is an illusion and motion too, put into the world by us and our brains. [...] It’s not a linear story – it appears linear to us [...] but there is nothing linear at all.“ Wer mit zeitbasierten Medien arbeitet kommt zu ganz ähnlichen Ergebnissen. Eine Video-Timeline ist eine Montage von Einzelbildern deren Reihenfolge nicht festgelegt ist, sondern beliebig sortiert und umstrukturiert werden kann. Für Julian Barbour sind diese Einzelbilder Momente die ihren eigenen Rahmen verdienen: „Each moment, each now is very different to each other. A Now has no duration. Nows are eternal.“05 - Forschungs- oder ArbeitsberichtPublikation Artists’ Studios in Berlin. Interview with Florian Schmidt(Spector Books, 2015) Voss, Jeronimo; Sehrt, Jessica; Tattara, Martino; Aureli, Pier Vittorio; Stiehl, Martin; Florian, Schmidt; Hirsch, Nikolaus; Peleg, Hila; Kuehn, Wilfried; Fezer, Jesko; Hiller, ChristianHow can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred? The Realism Working Group and the architecture firm Dogma – in consultation with Florian Schmidt, Studio Commissioner of the Kulturwerk bbk berlin – are developing new living and working spaces for artists that challenge traditional designs and their underlying economic frameworks.04B - Beitrag KonferenzschriftPublikation Fanfares for Effective Freedom(Hochschule für Gestaltung und Kunst FHNW, Institut Kunst, 2015) Voss, JeronimoJeronimo Voss began his research on the history of Cybernetics in 2006. It took him from ancient mythology of navigation to the strategies of present-day big data governance. The story connects the Cybersyn Opsroom of the early 1970s state planned economy in Chile with its contemporary version of business consultancy in Switzerland. In previous exhibitions Jeronimo Voss presented this narrative as an illusional overhead projection. The story is now translated into its consequential form of an online display linking to further material in the web. Collaborators: Institut für Gebrauchsgrafik The Institut für Gebrauchsgrafik was founded in 2011 in Frankfurt am Main focusing on design and media production for the spheres of science, education, culture and social projects. Das Institut für Gebrauchsgrafik wurde 2011 in Frankfurt am Main gegründet, mit dem Fokus auf Gestaltung und Medienproduktion für Wissenschaft, Bildung, Kultur und Soziales.10 - Elektronische-/ WebpublikationPublikation Actualizing Realism(Dumont Verlag, 2010) Voss, Jeronimo; Stakemeier, Kerstin; Raether, Johannes Paul; Sehrt, JessicaCan art make disparate realities perceivable and prompt us to participate reflectively in them? That is the central question to be posed by the 6th Berlin Biennale for Contemporary Art. How can it aid the viewer in assuring him/herself of his/her existence and of the world, in feeling more present in this world? Does it have the means at its disposal which film or other media and art forms do not? How can it call attention to the gap between the pseudo reality postulated by the public and personal life reality, how can it criticize this gap, or raise an awareness of it? How can it convey strange and unfamiliar realities by means other than hermetically sealed narrative forms, and thus reflect this strangeness in our own reality? In the midst of the overwhelming abundance of visual imagery produced incessantly by our media, how can reality and a critical view of its underlying conditions even be created? And finally, how does this reality relate to the present and its “passion for the real”?04B - Beitrag KonferenzschriftPublikation Phantasmagorical Horizon(Revolver Publishing, 2014) Voss, JeronimoThe artist book "Phantasmagorical Horizon" by Jeronimo Voss translates his exhibition of the same title at MMK Zollamt, Museum für Moderne Kunst Frankfurt am Main on to transparent paper pages. Phantasmagoria originated as a Magic Lantern show, between spectacle and scientific education, after the French Revolution in Paris. Institutional media history often relates to it as the Prehistory of Cinema. ?Phantasmagorical Horizon? develops a different story. In it, Voss' full-dome projection ?Eternity through the Stars?, first shown at dOCUMENTA (13) in Kassel, or the slide show ?In Dependent Gravity? appear as translucent montages of texts and images. Furthermore, authors Astrid Mania, Christiane Ketteler and Chris Tedjasukmana took the exhibition as a starting point for their book contributions on Phantasmagoria.03 - SammelbandPublikation Realism and the Conceptual Escape(Hatje Cantz, 2009) Voss, Jeronimo; Chung, Jay; Takeki Maeda, Q»Geschichte / History«. Unter diesem mit Bedacht weitgefassten Überbegriff hat der Kulturkreis der deutschen Wirtschaft in diesem Jahr den ars viva-Preis im Bereich Bildende Kunst ausgelobt. Ausgezeichnet wurden die mexikanische Künstlerin Mariana Castillo Deball (*1975), das amerikanisch-japanische Künstlerduo Jay Chung & Q Takeki Maeda (*1976/1977) und der israelische Künstler Dani Gal (*1975). Dabei überzeugte die Jury an den Arbeiten von Mariana Castillo Deball vor allem die fantasievolle Mehrstimmigkeit, die sie durch die Vermengung historischer Fakten mit ihren eigenen Fiktionen erzeugt. Dani Gal setzt sich in seinen Sound- und Videoinstallationen intensiv mit der medialen Geschichtskonstruktion der Nachkriegszeit auseinander und lässt den Betrachter an ihnen teilhaben. Bei dem Künstlerduo Jay Chung & Q Takeki Maeda war der humorvolle Umgang mit der geschichtlichen Aufladung der heutigen Medien- und Warenwelt ausschlaggebend für die Preisvergabe.04A - Beitrag SammelbandPublikation Produktion, Reproduktion, Kooperation: Die Villa von der ‚negativen Utopie‘ zum Gemeinschaftshaus(Birkhäuser, 2018) Voss, Jeronimo; Stiehl, Martin; Sehrt, Jessica; Tattara, Martino; Aureli, Pier VittorioToday more than ever, production transcends the boundaries that, since modernity, separated the domestic space from the workplace. New forms of production imply the overlap between work and life, to the point that they become indistinguishable. This condition clashes with the very purpose of the domestic interior, which, since its invention in the eighteenth century, supposedly existed in compensatory opposition to the work sphere. Commenting on the emergence of the domestic interior, Walter Benjamin wrote that “For the private individual, the place of dwelling is for the first time opposed to the place of work. The former constitutes itself as interior. Its complement is the office. The private individual, who in the office has to deal with reality, needs the domestic interior to sustain him in his illusions.” Source: Dogma, Realism Working Group: „Production, Reproduction, Co-Operation: The Villa from “Negative Utopia” to Communal House“, in: The Property Issue – Ground Control and the Commons, Aachen 2018, Page 154–173, hier S. 15401A - Beitrag in wissenschaftlicher ZeitschriftPublikation To Launch A Soeng Joeng Toi in Frankfurt(Synnika, 2019) Xiaotian, Li; Voss, JeronimoSoeng Joeng Toi (SJT) is an open space of mutual aid and a platform for collaboration and connection, which was initiated in 2016 and officially launched in 2017 in a residential community in Guangzhou, China.02 - MonographiePublikation Production, Reproduction, Co-operation: The Villa from “Negative Utopia” to Communal House(Spector Books, 2015) Voss, Jeronimo; Sehrt, Jessica; Tattara, Martino; Aureli, Pier Vittorio; Stiehl, Martin; Hirsch, Nikolaus; Hiller, Christian; Peleg, Hila; Wilfried, Kuehn; Fezer, JeskoHow can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred? The Realism Working Group and the architecture firm Dogma – in consultation with Florian Schmidt, Studio Commissioner of the Kulturwerk bbk berlin – are developing new living and working spaces for artists that challenge traditional designs and their underlying economic frameworks.04B - Beitrag KonferenzschriftPublikation Cross-Fading the Milky Way - Artist Jeronimo Voss interviewed by Prof. Johan Hartle(Amsterdam University Press, 2019) Voss, Jeronimo; Hartle, Johan; Tai, Chaokang; van der Steen, Bart; van Dongen, JeroenAnton Pannekoek (1873-1960), prominent astronomer and world-renowned socialist theorist, stood at the nexus of the revolutions in politics, science and the arts of the early twentieth century. His astronomy was uniquely visual and highly innovative, while his politics were radical. Anton Pannekoek: Ways of Viewing Science and Society collects essays on Pannekoek and his contemporaries at the crossroads of political history, the history of science and art history.04B - Beitrag Konferenzschrift