Hochschule für Gestaltung und Kunst Basel FHNW
Dauerhafte URI für den Bereichhttps://irf.fhnw.ch/handle/11654/11
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Publikation Walk on the Wild Side? Questioning the Impact of Artistic Research.(18.06.2015) Camille Dumond; Priska Gisler; Rachel Mader; Siri Peyer; Schwander, Markus; Caviezel, Flavia06 - PräsentationPublikation Auf dem Weg zu einer grünen Ideengeschichte der liberalen Demokratie(18.10.2018) Ludwig, Linda; Heinrich Böll StiftungDie grüne Ideengeschichte entdeckt die liberale Demokratie spät – heute gilt es Repräsentation gegen populistische Forderungen zu verteidigen.10 - Elektronische-/ WebpublikationPublikation Of demons, geniuses, and the rat man(Routledge, 25.03.2011) Bruder, Johannes01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Die Karte als Interface(Schüren, 03/2017) Schranz, ChristineDigitale Karten und Kartendienste sind im Begriff, ubiquitär zu werden. Für den Paradigmenwechsel sind insbesondere Navigationsgeräte, GPS-Daten sowie Satellitenaufnahmen verantwortlich, welche neue Produkte und Technologien zum Repräsentieren und Produzieren der Welt hervorgebracht und dadurch die Ubiquität von Karten erst möglich gemacht haben. Die verstärkte Zuwendung zum Raum hat paradigmatisch die Karte als neues Interface hervorgebracht. Dabei stellen georeferenzierte Medien eine neue Raumordnung her, in welcher die Beziehung von Raum und Ort neu organisiert wird. In Bezug zu dieser Raumordnung sind die Interaktion und der Bezug von Mensch-Maschine ausschlaggebend. Ein weiterer Aspekt ist die Ästhetisierung von Benutzeroberflächen. Entlang eines Designdiskurses umreißt der Beitrag einflussreiche Tendenzen und Phänomene und beleuchtet zugleich Praxen aus einer historischen Perspektive.04A - Beitrag SammelbandPublikation Dirtscapes: Contest over Value, Garbage and Belonging in Istanbul(Berghahn Books, 2019) Tschoepe, Aylin; Martinez, Francisco; Laviolette, Patrick04A - Beitrag SammelbandPublikation Defying the limits of the plane: Two-dimensional space and its consequences in the search for the order of nature(Intellect, 01.04.2015) López Grüninger, PalomaThe discussion about the order of nature holds a central position in the History of Biological Science. It reached its culmination between the mid-eighteenth and the late nineteenth century, when new knowledge forced a rearrangement of existing thought patterns to adapt them to the recently discovered complexity. Not only different concepts about the relationships among organisms were superseding one another, but also images, as a variety of structures were used to visually display these ideas. Each of these visualizations, usually described as ladders, maps, networks and trees, developed a particular, individual formal language, generating a unique and fascinating collection of graphical examples. This formal variability is a product of the changing ideas about nature, about its origins, and even about the position attributed to human beings within it. However, it is also the result of the authors’ struggle with the drawing space in which this order was to be inscribed. By studying the history of the illustration of the order of nature from the perspective of applied image production, by analysing the strategies their authors used to visually express their ideas, the graphical elements they employed, in summary, the visual choices they made, much can be learnt about the visual medium itself, its specificity, its possibilities, its power. Using this approach, the following article will show that the transition from the scala naturae to maplike or treelike structures cannot be seen exclusively as proof of an intellectual transition, as a succession of abstract ideas, but as creative attempts to solve specific spatial problems imposed by the realm of the visual.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Palaces of Infrastructure: From Water to Data(2019) Allen, Jamie; Petros BabasikasModern cities are spaces of desire, projection and futurity. One way that cities express inclination and aspiration, to themselves and to the world, is through real, planned, projected and imagined infrastructure projects. Toronto’s R.C. Harris Water Treatment Plant, completed in 1941, is the city’s palatial ode to shared, public provision — it is an over-specified, immoderately adorned expression of the potential of public works and the collective systems that constitute urban life. Sidewalk Toronto is Google subsidiary Alphabet Inc.’s proposed 12-acre development of “smart” infrastructure, urban innovation and improved, sustainable and connected living. These two sites are productively disjunctive — revealing comparable if opposing motivations in the contemporary history of a city that feels as if it is always becoming, always reaching toward a future it missed somewhere along the way. R.C. Harris and Sidewalk are two infra-structurally connected undertakings only Toronto could produce and/or project, two sites that bookend visions of a modern city that, through technology, attempts to support, nurture and create the social, economic and ecological needs of its denizens.06 - PräsentationPublikation Affect and Atmosphere in Controlled Responsive Environments(Springer, 07/2016) Simon, Andreas; Torpus, Jan-Lewe; Heibach, Christiane; Navarro, José Javier; Streitz, Norbert; Markopoulos, PanosWe explore the atmospheric potential and the affective connection between humans and their instrumented, responsive environments and develop corresponding artistic design strategies, evaluating ubicomp environments from a critical perspective, beyond pure application and usefulness. We have designed an abstract, cocoon-like, responsively mediated space and conducted a series of experiments with a total of 17 participants. Results show that participants experience affection, a coupling between themselves and the designed environment, and show strong cognitive engagement to understand and structure the environment through patterns of situation awareness and sensemaking.04B - Beitrag Konferenzschrift