Hochschule für Gestaltung und Kunst Basel FHNW

Dauerhafte URI für den Bereichhttps://irf.fhnw.ch/handle/11654/11

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2015 - 20202

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Thema: search.filters.subject.diagrams

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  • Kein Vorschaubild vorhanden
    Publikation
    Defying the limits of the plane: Two-dimensional space and its consequences in the search for the order of nature
    (Intellect, 01.04.2015) López Grüninger, Paloma
    The discussion about the order of nature holds a central position in the History of Biological Science. It reached its culmination between the mid-eighteenth and the late nineteenth century, when new knowledge forced a rearrangement of existing thought patterns to adapt them to the recently discovered complexity. Not only different concepts about the relationships among organisms were superseding one another, but also images, as a variety of structures were used to visually display these ideas. Each of these visualizations, usually described as ladders, maps, networks and trees, developed a particular, individual formal language, generating a unique and fascinating collection of graphical examples. This formal variability is a product of the changing ideas about nature, about its origins, and even about the position attributed to human beings within it. However, it is also the result of the authors’ struggle with the drawing space in which this order was to be inscribed. By studying the history of the illustration of the order of nature from the perspective of applied image production, by analysing the strategies their authors used to visually express their ideas, the graphical elements they employed, in summary, the visual choices they made, much can be learnt about the visual medium itself, its specificity, its possibilities, its power. Using this approach, the following article will show that the transition from the scala naturae to maplike or treelike structures cannot be seen exclusively as proof of an intellectual transition, as a succession of abstract ideas, but as creative attempts to solve specific spatial problems imposed by the realm of the visual.
    01A - Beitrag in wissenschaftlicher Zeitschrift
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    Publikation
    Diagrams That Build Worlds
    (2020) Carver, Louise Emily; Allen, Jamie
    Visual devices in the form of diagrams (models, schematics) have been subjected to considerable critical theorization, noted in particular for their production of truth conditions, politics of scale and potential to prefigure realities of policy and practice. Diagramming can be dangerously abstractive, performative and value-laden—narrowing the directionality of approaches and/or reproducing colonial, capitalist or racist logics substantive to the policy or scientific topics they address. The agency of such devices may lie in cementing and conserving certain value systems, epistemologies, politics and funding allocations, while occluding and negating more emancipatory, just and/or radical alternatives. Diagrams have the added power of heightened mobility, speeding up and shaping perceptions and circulating through policy scales rapidly. The Diagrams That Build Worlds workshop convenes researchers with interests in the role of visual schematics, and hosts active discussions and exercises around the possibilities of critical design and artistic research intervening in the policies and practices of political ecology. Visual models from participants' own research and projects (in political ecology, earth science and media/art theory domains) and collective experimentation in iterating and composing new diagrams takes place. Group and individual research tasks co-learners to ‘bring back’ examples from diverse areas of interest in order to analyze, discuss and experiment with alternate possible renderings and forms, together.
    06 - Präsentation