Pavanello, Agnese
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Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation
2024, Bernardy, Ralph, Cazaux, Christelle, Papiro, Martina, Pavanello, Agnese
Tartini’s Re-Formulation Strategies in Alternative Concerto Movements
2022, Pavanello, Agnese, Taschetti, Gabriele
This chapter focuses on alternative movements in Giuseppe Tartini’s concertos. As is evident from existing autograph scores and from sources from Tartini’s circles, the violinist later composed new movements for some concertos, probably on the occasion of new performances, and in particular the central ones. This study addresses the question of why Tartini changed the formal arrangement of an existing work and whether the new movements were intended as true substitutions or mere alternatives. The aim of this preliminary investigation is to provide a first frame of reference for the study of Tartini’s works characterized by a non-univocal/variable formal arrangement and to contribute to the analysis of the works in question and their transmission.
Gaspar van Weerbeke, Collected works. Settings of liturgical texts, songs, and instrumental works
2020, Pavanello, Agnese, Kolb, Paul
Tanz und Musik. Perspektiven für die historische Musikpraxis
2024, Cazaux, Christelle, Papiro, Martina, Pavanello, Agnese
Gaspar van Weerbeke, Ave mundi domina
2021, Pavanello, Agnese
In: Motet Cycles Edition (MCE, Digital Edition of Selected Motet Cycles), Gaffurius Codices Online
Darf man das? Historische Musikpraxis zwischen historischen Quellen und ästhetischer Gegenwart. Einleitung
2023, Kirnbauer, Martin, Cazaux, Christelle, Papiro, Martina, Pavanello, Agnese
Anonymous Gaude flore virginale from Munich, Bayerische Staatsbibliothek, Mus. MS 3154
2021, Pavanello, Agnese
In: Motet Cycles Edition (MCE, Digital Edition of Selected Motet Cycles), Gaffurius Codices Online
'Den Techst vber das geleӲemors Wolkenstainer. Investigating the workshop of a professional contrafactor
2020, Lewon, Marc, Pavanello, Agnese
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