Pavanello, Agnese
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Anonymous Gaude flore virginale from Munich, Bayerische Staatsbibliothek, Mus. MS 3154
In: Motet Cycles Edition (MCE, Digital Edition of Selected Motet Cycles), Gaffurius Codices Online
'Den Techst vber das geleӲemors Wolkenstainer. Investigating the workshop of a professional contrafactor
Tartini’s Re-Formulation Strategies in Alternative Concerto Movements
This chapter focuses on alternative movements in Giuseppe Tartini’s concertos. As is evident from existing autograph scores and from sources from Tartini’s circles, the violinist later composed new movements for some concertos, probably on the occasion of new performances, and in particular the central ones. This study addresses the question of why Tartini changed the formal arrangement of an existing work and whether the new movements were intended as true substitutions or mere alternatives. The aim of this preliminary investigation is to provide a first frame of reference for the study of Tartini’s works characterized by a non-univocal/variable formal arrangement and to contribute to the analysis of the works in question and their transmission.
Gaspar van Weerbeke, Ave mundi domina
In: Motet Cycles Edition (MCE, Digital Edition of Selected Motet Cycles), Gaffurius Codices Online