Dictating Taste. Max Bill and „Die gute Form“ in Switzerland (1949-1968)
dc.accessRights | Anonymous | |
dc.audience | Science | |
dc.contributor.author | Duerschlag, Henryetta | |
dc.date.accessioned | 2019-02-21T21:37:05Z | |
dc.date.available | 2019-02-21T21:37:05Z | |
dc.date.issued | 2018-10-27 | |
dc.event | NORDIK | |
dc.identifier.uri | http://hdl.handle.net/11654/27413 | |
dc.language.iso | en | |
dc.spatial | Copenhagen | |
dc.subject | Modernism | |
dc.subject | Aesthetic Practice | |
dc.subject.ddc | 700 - Künste, Bildende Kunst allgemein | de |
dc.title | Dictating Taste. Max Bill and „Die gute Form“ in Switzerland (1949-1968) | |
dc.type | 06 - Präsentation | |
dc.volume | 12 | |
dspace.entity.type | Publication | |
fhnw.InventedHere | Yes | |
fhnw.IsStudentsWork | no | |
fhnw.PublishedSwitzerland | No | |
fhnw.ReviewType | Anonymous ex ante peer review of an abstract | |
fhnw.affiliation.hochschule | Hochschule für Gestaltung und Kunst | de_CH |
fhnw.affiliation.institut | Institut Vermittlung von Kunst und Design | de_CH |
fhnw.publicationState | Published | |
relation.isAuthorOfPublication | b27a4557-7c31-4425-a8e4-1fd2b3203cf8 | |
relation.isAuthorOfPublication.latestForDiscovery | b27a4557-7c31-4425-a8e4-1fd2b3203cf8 |