Cum On Feel the Noize
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Authors
Author (Corporation)
Publication date
2012
Typ of student thesis
Course of study
Type
01A - Journal article
Editors
Editor (Corporation)
Supervisor
Parent work
Continent
Special issue
Varve
DOI of the original publication
Series
Series number
Volume
2
Issue / Number
1
Pages / Duration
56-58
Patent number
Publisher / Publishing institution
Continent
Place of publication / Event location
Edition
Version
Programming language
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Practice partner / Client
Abstract
As someone who’s knowledge of “art” mostly began with the domestic (Western) and Japanese punk and noise scenes of the late 80’s and early 90’s, practices and theories of noise fall rather close to my heart. It is peeking into the esoteric enclaves of weird music and noise that helped me understand what I think I might like art to be: A way of learning about the world through perturbation—exploration by incitement and speculation of possible conditions. What I have always loved about artistic investigations influenced by noisy aesthetics or sensibilities is that they can be simultaneously transcendent and absurd, amusing and revelatory, singular and pluralistic, mindless and intensely penetrating. The provocative friction that noise brings to bear on aesthetic experience, artistic practice, and “the” Art World acts as a kind of impulse response, proposing new energies while revealing underlying structure; noise signals are a simultaneous synthesis and analysis of spaces, subjects and relations.
Keywords
art, music, aesthetics
Subject (DDC)
Event
Exhibition start date
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Conference start date
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Date of the last check
ISBN
ISSN
2159-9920
Language
German
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
Peer review of the complete publication
Open access category
Gold
License
Citation
Allen, J. (2012). Cum On Feel the Noize. Continent, 2(1), 56–58. https://doi.org/10.26041/fhnw-4667